Emperor Guillotine
The Almighty Ruler
Back in February 2022, I received this absolutely mind-blowing bass that was a custom commission masterfully handcrafted by Krzysztof Kania - a very skilled, highly prodigious luthier based out of Poland.
Specs:
• Body wood: mahogany core sandwiched between a solid bubinga top and back
• Additional body wood: maple stringers tracing along the mahogany core to separate it from the bubinga top and back
• Body finish: hand-rubbed, natural oil finish
• Scale length: 914mm (36")
• Neck construction: neck-thru
• Neck wood: 7-piece neck comprised of wenge (2) and mahogany (1) with maple stringers (4)
• Neck finish: hand-rubbed, natural oil finish
• Neck profile: D
• Fretboard wood: ebony
• Fretboard radius: unknown
• Fret line markers: alternating maple and mahogany lines
• Pickup: EMG DC45
• Preamp: EMG BQC 4-knob preamp system
• Controls: volume knob, semi-parametric 3-band EQ, mid-range frequency selector is stacked with the mid band boost/cut control on a concentric knob
• Bridge: hand-cut, orchestral-style bridge saddle with a modern string-thru plate design
• Tuners: Schaller tuning machines (black)
This bass is a tribute to the work of the legendary Carl Thompson, baring a heavy influence and several striking, aesthetic features akin to what you would find on a Carl Thompson instrument while also being its own unique thing.
The reason that I mentioned Les Claypool of Primus (and many other projects/bands) in the title of this thread is because the vast majority of musicians nowadays would recognize Carl Thompson's iconic handiwork from his instruments being in the hands of Les Claypool for many, many years up until Claypool retired his famous CT builds.
While I absolutely cannot afford an actual build from Carl and his apprentices nowadays, this tribute build by Krzysztof Kania is a truly phenomenal alternative in every possible way. The craftsmanship still amazes me. Without a doubt, this is the best bass that I have owned and played to this day.

Specs:
• Body wood: mahogany core sandwiched between a solid bubinga top and back
• Additional body wood: maple stringers tracing along the mahogany core to separate it from the bubinga top and back
• Body finish: hand-rubbed, natural oil finish
• Scale length: 914mm (36")
• Neck construction: neck-thru
• Neck wood: 7-piece neck comprised of wenge (2) and mahogany (1) with maple stringers (4)
• Neck finish: hand-rubbed, natural oil finish
• Neck profile: D
• Fretboard wood: ebony
• Fretboard radius: unknown
• Fret line markers: alternating maple and mahogany lines
• Pickup: EMG DC45
• Preamp: EMG BQC 4-knob preamp system
• Controls: volume knob, semi-parametric 3-band EQ, mid-range frequency selector is stacked with the mid band boost/cut control on a concentric knob
• Bridge: hand-cut, orchestral-style bridge saddle with a modern string-thru plate design
• Tuners: Schaller tuning machines (black)



This bass is a tribute to the work of the legendary Carl Thompson, baring a heavy influence and several striking, aesthetic features akin to what you would find on a Carl Thompson instrument while also being its own unique thing.






The reason that I mentioned Les Claypool of Primus (and many other projects/bands) in the title of this thread is because the vast majority of musicians nowadays would recognize Carl Thompson's iconic handiwork from his instruments being in the hands of Les Claypool for many, many years up until Claypool retired his famous CT builds.







While I absolutely cannot afford an actual build from Carl and his apprentices nowadays, this tribute build by Krzysztof Kania is a truly phenomenal alternative in every possible way. The craftsmanship still amazes me. Without a doubt, this is the best bass that I have owned and played to this day.


