New song is OK, but as someone who started listening to DT in the early '90s, I feel like I have already heard it in a similar shape or form multiple times in the past.
The Astonishing wasn't intended to be a progressive masterpiece, it was a story. But at least it had fresh ideas and a new direction. This Berklee stuff gets old, write something interesting with all that knowledge!Same here as being a fan since I&W, but I loved it! Sounds fresh to me, compared to the Astonishing for example. Loved John's tone, more clarity, great fusion-y phrasing in solo starting at 5:36. There's always gonna be what makes DT sounds like DT, that's why I also listen to Obscura, u know, other stuff. As far as DT goes in my book, this was awesome.
Now what I really want to know is when Romeo is gonna have a new Symphony X album or his next solo album out!!
I came across an interview after he released his second solo album saying how disheartened he was with the music industry and how little money albums were making. He said he had a second album ready to record but had lost he motivation to get it done.
it’s been 6 years since the last Symphony X album so hopefully he has been working on music throughout Covid.
I am such a big fan of Symphony X ever since DWoT, and I was so proud of them when they topped the Billboard Rock charts with Paradise Lost. But I know that those guys in the band all hold "regular" day jobs and probably will never be even half as big as they deserve, even if they are #1. It's sad to hear that there's no money in it for a band as good as they are to release solo stuff, but I guess that just proves the point that is so often made that if you took a band like DT and took away all of their endorsements and side swag deals, they just wouldn't be making much money.I came across an interview after he released his second solo album saying how disheartened he was with the music industry and how little money albums were making. He said he had a second album ready to record but had lost he motivation to get it done.
it’s been 6 years since the last Symphony X album so hopefully he has been working on music throughout Covid.
Now that I've heard this song many times, I'm really starting to like it. Seeing Mangini play it at 110% just made it even better for me, that's just crazy:
what kind of bass drum pedal does he have? looks like both are not in front of the kick drum?