That's a monster of a scale. I appreciate scales and harmonies that don't fit within an octave, but I still haven't gotten to the point that I can work with that kind of stuff. Béla Bartók figured out that a phrygian mode and its parallel lydian mode interlock to form a full chromatic scale. Makes sense, their keys are a half step apart. Anyway, he made some really neat sounding stuff with that idea, not ugly chromaticisms.