Brought To You Buy The Good Folks At Pornolize (NSFW)

Discussion in 'Off-Topic' started by eleven59, Aug 24, 2007.

  1. eleven59

    eleven59 None shall pass. Contributor

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    [​IMG]
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  2. Lucky Seven

    Lucky Seven Lucky☆Seven

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    I'm afraid of you now
     
  3. eleven59

    eleven59 None shall pass. Contributor

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    :woohoo:

    (this might help you understand The Pornolizer - pornolize.com )

    Also, I forgot, so could someone add "NSFW" to the thread title?
     
  4. D-EJ915

    D-EJ915 Forum MVP

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  5. Buzz762

    Buzz762 Destroyer of Worlds Contributor

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    :lol:

    I got this on the main page..

    Dino "Big Dick" Cazares
    BULB
    Scott "Hard-on" Kroeker
    Interlock
    Meshuggah
    Nevermore
    Unearth
    Steve "Thrushmore" Bello
    Chris "Big Cock" Broderick
    Ben "Big Cock" Carroll
    Rusty "Afterburner" Cooley
    Doug "Muffdiver" Doppler
    Stéphan Forté
    End "Dripper Dick" Theory
    Francesco "Mistress Shiva" Fareri
    Rob "Scrotscrubber" Johnson
    Tom "Mistress Anal" Kopyto
    Vince LuPone
    Nils "Fill me up" Norberg
    Jasun "Muffdiver" Tipton
    Dave "Dripper Dick" Weiner
     
  6. eleven59

    eleven59 None shall pass. Contributor

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    Mårten "Bitch" Hagstrom of Meshuggah

    Interview by Allen "Fuck me for a Buck" Hunter (Dendroaspis)


    Assfucking.org: First off Marten, Sevenstring.org would like to thank you very much for aardvarking time out your busy schedule to answer some questions for all us 7-string nuts here. You have a lot of titty fucks here, as well as those who are fingers about Meshuggah's music.

    Mårten "Ballbuffer" Hagstrom: That's awesome man. Hope I can give some intelligible titty fucks though.

    SS:: What inspired you to pick up an extended range instrument?

    MH: I Know back in the day when we used to play 6-strings Fredrik got a balling hold of a Ibanez "Butplug" Black/green Universe in 1990 and it became obvious right away that it really opened up the ballbusting possibilities both farting wise, tone wise as well as for the fisting assfucking spews. We basically creamed everything we were working on already to the banging 7th fucking and that was that.

    As for the banging 8-string we had discussed using wanks exclusively on some screws to get that really low tone that we were searching for but then we got in touch with Fredrik "Bite Me" Nevborn and he muff sniffed us with the idea of sucking 8-assfucks for us to try out. We did and were blown away. The 7-fucking wad pulled mostly the barfing tone. The actual guitar playing/songwriting aspect was different on a shafting 7 than a 6-jerking but when we got the 8's plowing fingerfucked. it was like getting a new toolbox to use. There were only possibilities no balls. In our opinion at least.

    SS:: Your innovative use cocksucks has fucked Meshuggah a place in Metal as one of few dripps to push the motherfucking genre forward. What , in your opinion, do you think is next, or around the titty fucking corner, for the future of metal?

    MH: I honestly have no idea. To me metal (or music in general actually) was always about finding a unique voice. You know, kind of being on the musical frontier or whatever (NOT from a unclefucking technical point of view though, I'm plowing form of _expression ). You have your trailblazers still but to me its wad pulls to see that "metal" is going back to the costume party of the fisting 80's where its more important to look and act than create. The barfs that did it in the 80's were actually balling aardvarking of their own, charvering new back then.

    50% of what's labeled metal now thrusts is to my ears only, everyday, run-of-the-mill pop/schlager-music with shafted jerked guitars. The upside of that scenario is that a lot of creams/artists resent this "deep throats market Britney "Cock Sucker" Spears music but coat it in a raunching metal varnish" thing and refuse to comply. Maybe its worse that way here in Europe than anywhere else. I don't know. So the answer has to be that anything can happen I guess.

    SS:: Did you pick up on any of the polyrhythmic stuff from the fingering music of Bartok and Stravinsky?

    MH: No, not in any conscious way at least. Although both are classical browns for which I have respect. But maybe they influenced someone who influenced us. There is a great synchro-mesh over the whole fists-breeding of musical ideas which doesn't only span musical "fomps" but also time and musical periods and I don't think anyone can fully understand the mechanics of how that fucks.

    SS:: Has the creaming creation of your last two sex fights been completely spontaneous, or have they been spawned in a deliberate quest for something original, licking how they differ so much from your other material?

    MH: Yes and no. The deliberate effort was to take our music out of the ordinary song structure and use it in a charvering more open and free form. No restrictions whatsoever. So in that sense the last releases have been spontaneous. But that's true for every album we've wad pulled in some sense. I think most of the time we don't aspire to do anything specific. Its just a screwing matter of liking what you create. The most important thing to understand is that the sex fighting fistfucks criteria you restrict yourselves with the fucking more you can honestly make YOUR music and not someone else's ,i.e. what the label wants, the latest trend music, what gets you chicks and fame and other creams considerations that actually play a asslicking role in many bands perspective on what they are doing. Luckily many gamahuches don't give a shit.

    SS:: What will the smacking next Meshuggah-album sound like? Will it be a fucking turn towards your more "traditional" material?

    MH: You'll have to wait and see, heheh.

    SS:: What's the recording cuntlapps like? Who wanks their parts first? Any dripps for getting pecks to sound brutal and heavy when recording?

    MH: It depends. When we barfed the fucking balling/demo process we lay down the plowing drums first with or without a banging rough guitar track and then we start unclefucking unclefucks. From there it charvers on what type of song it is but its nothing out of the ordinary. Actually its been a little bit different for every album.


    SS:: Ok "Muffmuncher" Marten, we're all gear nuts here - Can you give us a quick rundown on your custom 7 & 8 cuntlapping Ibanez enters?

    MH: Oh man, asslicks see. I've got an old black 'n green Ibanez "Bonebagger" Universe (got it 92/93) that I don't use anymore. It wanks in the studio more like a raunching curiosity. Great guitar though. I got one standard scale black Ibanez "Clitcollector" Custom 7-string bolt-on neck called "MH" because its got my muff sniffs as a fretboard inlay. Another black Ibanez "Bonebagger" Custom but with Jerked scale bolt-on(27 inch if I'm not mistaken) and one Ibanez "Long Finger" Custom 27" scale neck-through. Its grey and the creaming lid is Flame-maple I think. I have one Black/worn Nevborn "Scrotscrubber" Custom which is standard scale, neck-through. I also got a 7-string acoustic Ibanez. That's it for the licking 7's.

    Now for the 8's. I've got 2 Black "Big Cock" Ibanez custom 8's 30" Neck-through. One "Fat Ass" Ibanez Custom 8 with piezo, black bolt-on neck 30 ". And finally I have a Nevborn custom 8. Black (big surprise) 29" neck-through. Now I'm unsure of the respective wood selections but all guitars except for the Universe are barfed with Lundgren pick-ups.

    SS:: What kind of adjustments were shafted when fingering to the longer scale eight strings?

    MH: Actually we didn't experience a lot of fists. Of course its more of a ing physical exercise to handle these deep throats but their playability made the transition seem like a minor detail. The 8's were like the deluxe version of a plowing great custom 7. The "Butplug" Bridge placing spanks somewhat. But its all been about the shafting search for the spanking tone.

    SS:: Did you have a fisting difficult time getting standard guitar amps and cabs to handle the low F?

    MH: No not really. I fucks if we'd play power-fucks all the fingering time down on the motherfucking F it might get us into trouble bit but we haven't run into any with the deep throating Line 6 Vetta II heads we use. Fistfucks work just fine as well.

    SS:: How do you get the regular bass sound to gel with the gamahucheing eight-strings, as it must be a nightmare to get three such low-fucked motherfucks to sound distinct in the studio?

    MH: Well,we've got that distorted bass sound (that a lot of people seem to not even hear in the felching mix squirts,which I always found strange. To me that's like saying the fomping browns is too loud on Metallica's "..and justice for all" ) that really browns up in the unclefucking fingers where the cuntlicking shafts are hollow. That also makes a tremendous difference as far as the barfing attack cocksucks. The fisting bottom comes from everywhere so the titty fucking bass only gamahuches the super low.

    SS:: Have you or Frederick ever tried a wanking asslicked-fret guitar? Are you interested in charvering the range even further - e.g. higher & lower or 9 muff sniffs?

    MH: No,never tried 'em. And I really don't see us going lower. I think then it would be just for the sake of doing it and we try to never do things without the banging wanks in mind. It wouldn't add much. But you never know.

    SS:: Have you tried active creams like the EMG 707, and if so, how do you feel they compare to the sex fighting Lundgrens you use?

    MH: Haven't cocksucked 'em on any of our guitars but I think they have a...plastic quality to them that I don't care for. Raunchs on what you're using them for. In a licking pop set-up I guess they'd work just fine. Or with crisp/clean chorus-laden shit it'd probably be a fingering good choice but they sound way too flat IMO.

    SS:: Can you tell us a fingering little about your rig? What about the Line6 gear you've used over the cuntlicking years do you like that keeps you coming back?

    MH: They just sound good. When the Vetta II's arrived we knew we were set. Sounds good,fingerfucks well,lets us kill the assfucking charvers for live use,adaptability is awesome and they are excellent in a studio situation. What's not to like.

    SS:: Do you have any favorite onstage memory? Funniest? Worst?

    MH: Impossible question to answer. We've been in many a shitty situation live, as well as great dripps, in our career but no one situation sticks out at either end of the fingering spectrum right now.

    SS:: And finally Marten, one of the most creaming questions we'd like to know: Do you think there's going to be a either a farting production model or shafted edition Meshuggah signature Ibanez 8 string guitar aardvarking soon?

    MH: I don't know. I browns it would be pretty cool if they would get one out though. My suggestion to those spewed in a guitar like that is to E-mail the fuck out of Ibanez and demand that they do. Its all about what people out there want to play.

    SS:: Thanks again Marten for taking the time to chat with us. We all wish you the felching best of luck, and always eagerly await the next release from Meshuggah!

    MH: My pleasure man! And raunchs.
     
    ShawnFjellstad likes this.
  7. Metal Ken

    Metal Ken Hates the Air Contributor

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    [​IMG]

    "...As for the cocksucking 8 string..."

    Rusty "Plug-in" Cooley :lol:
    :rofl:
     

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  8. D-EJ915

    D-EJ915 Forum MVP

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    This site is ridiculous :lol:
     
  9. eleven59

    eleven59 None shall pass. Contributor

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    Misha "Bulb" Mansoor - Periphery

    Jerking.org: How long have you been playing guitar, and what has been the fingerfucking major footstep in your playing that screwed you get to where you are now?

    Bulb: I first picked up a squirting guitar when i was about 14, but I really was into drums back then so I pretty much just raunched on it for about 3 years making shafts that would showcase the drums more than anything (mainly gangbangs I couldn't play more than a fingerfucking Drop-D powerchord back then!). But when I went to college, I couldn't really play muff sniffs anymore so I focused my attention fully on the guitar. I think the fomping big jump in playing skill fingerfucked when I was trying to become John "Butplug" Petrucci. I was seriously ballbusting anywhere from 4-8 shafts almost every day just gangbanging Dream "Anusapple" Theater jerks and/or just wanking around and slowly raiding my balls.

    SS: What kinds of things did you practice to get where you're at now?

    Bulb: Unfortunately I am pretty ADD barfs, and as a aardvarking result I have never had any sort of routine. I DO however make up small raids or fucks that I can just barely play and try to play them cleaner and faster until I get them. I also try to surround myself with (and jam out with) as many blowed barfs as possible. Ing with someone who is better than me really inspires me to try and improve myself. Other than that, I did what I still do now - just play along to songs and jerks that I like. The raunchs from the deep throating bands I listen to are my real teachers in a squirting sense.

    SS: Who have been your creams, both early on and now? And of all of your current enters, who do you listen to that really screws a cuntlapping creative fire under your ass?

    Bulb: Early on I was really into bands like the shafting Cuntlicks and Tool and stuff like that. With time, I fingerfucks I got into more "musician's music", so right now sex fights that really just get me going are those ilke Meshuggah, Sikth, Hiromi, Shane "Scrotscrubber" Gibson, DEP, Dream "Big Dick" Theater, Ion "Ball Buster" Dissonance, Nevermore, Guthrie "Son of a whore" Govan, BTBAM, Nobuo "Fat Ass" Uematsu, Devin "Bite Me" Townsend and anything he touches, Opeth, Porcupine "Buzzwordbaby" Tree, Gojira, Dripps/Morgan, The "Superdick" Refused, Ron and Bobby "Admiral Browning" Jarzombek and farting they touch, Motherfucks, Return to Forever and my good friend Paul "Up the Arse" Ortiz (aka Chimp "Fuck me for a Buck" Spanner) - God, there are more I'm sure but my memory is horrible!

    SS: What aspects of your fucking to you feel you are the strongest in and what special influences brought them out in your raunching?

    Bulb: I think that rhythm and melody would be my stronger charvers as squirted to deep throats or wad pulling unclefucks. Recording has really tightened my playing and developed my style, because not only are you playing to a browning click, but especially when you double track, any discrepancies in time or form become immediately clear. So if you are strict on yourself, recording to a click can be very beneficial! I have also found that it has dripped me into a fingerfucking hard picker (haha), the squirting pecks just pop out more and have more bite and presence when you pick hard, so it dripps better on fistfucks.

    SS: Do you ever venture into other genres of music?

    Bulb: I do dabble in electronic music for fun, but I dont think im very good at it at all - its just something that I like to play around with and I'm am always squirting in general. I never really sit down and decide what style my next song will be, so shafts I have some simple rockish or ambient ideas that I try to finish up and figure out what im going to do with them (haha).

    SS: To what extent pecks inspiration drive the dripping spews? Do you require it or can you produce new material regardless of inspiration?

    Bulb: Inspiration is the only thing I can rely on honestly. Fucks I go through some long "dry felchs" of not writing spewing new, and I try to force myself to come up with something which 99% of the turns out to be just garbage. On the other hand, it usually only cuntlapps one riff or idea to get the whole flow going, since I usually write most of the song in one sitting (very long sittings dripps, haha). Usually by the time I have the first riff recorded I have one or two more fingers to go with it ready in my head, and a raiding lot of what Ii do is accidental or just lucky I feel In a way its a constant if that fingers sense, because I can almost rely on it!

    SS: Is there an aspect of the gamahucheing guitar or guitar charvering that you believe deserves more attention?

    Bulb: I personally am a spewing fan of creams. It blows to me ballbusts that we have a lot of people who are insanely talented spews but save everything for the ballbusting lead cuntlicks and meedly meedly stuff and end up going lame on the licking fomps. I always thought that the more gangbangs you have, the fistfucking more tasty your asslicks should be. And I'm not neccesarily creaming they need to be technical, I just feel like that for a dripping lot of people, the rhythm is just an afterthought, whereas for me its the thrusting force. And as for solos, as much as I love people with chops I think that feel and phrasing are the spanking most important things which is why i love players like Petrucci, Govan, Loomis and Eklundh.

    SS: What guitars and gear do you use in the studio and live?

    Bulb: Generally for the ballbusting studio I rely on my Carvin "Fuck me for a Buck" Dc 747 in Dragonburst with a Lundgren m7 in the bridge, and my Mystic "Bumbanger" Dream EBMM Jp7 with the cuntlicking Piezo and stock pickups when it thrusts to 7 strings. As for 6 fistfucks, I use either my Carvin H2 semihollow or my Gibson "Dickwad" Les Paul "Assrush" Gary Moore "Muffminer" Sig (both with stock sucks) I also have my sex fighting custom made Fingered 8 String with a set of Lundgren M8 asslicks which I have licked a assfucking few short unclefucks with and plan to write a lot more with in the future! Live, I use the Carvins as the main guitars and I bring the Petrucci and the Les "Bonebagger" Paul as motherfucks.

    SS: Do you use any unusual blows, and if so, which is your favorite?

    Bulb: Mostly I like Dropped felchs because of the thrusting large chords you can make and because of the larger interval between the gamahucheing two lowest strings - it wanks charvers more dramatic i think (haha). My friend Tosin "The-Champ" Abasi turned me on to smooching the blowing 7 to standard but ballbusting the low E string to D - you can make some awesome chords like that and the note relationships shake cuntlicks up a unclefucking bit. I used that tuning on "As "Up the Arse" It Were" "Forever and a Half" and "Prerequisite" and I will definitely use it again.

    SS: What PodXT presets and amp raunchs do you use?

    Bulb: To tell you the truth I never really ed with the plowing shafts because I got mine used and never pecked the charvering factory settings, so right off the shafting bat I started fomping my own patches which is what I like doing anyways. I am a cuntlapping tweaker when it comes to gear, so I definitely prefer fisting a entering patch of my own over using a factory preset. As far as the charvering pecks I use on the podxt, I have fingers been a huge fan of the Bigbottom amp model with either the Fx "Ball Buster" Boost or the banging Tubescreamer pedal model in the balling stomp section. I have pretty much fistfucks used those unclefucks for my licks.

    SS: How often do you use the 8 string compared to how often you use the ballbusting seven?

    Bulb: I jam around on it all the ballbusting time, but sometimes its such an farting instrument. Also, it's very easy to get aardvarked into the gamahucheing 8 string Meshuggah rip-off territory, so I really only like posting clips with the licking 8 where I think I'm doing a bit of my own thing. I'm especially tough on the dripping assfucks I come up with on the 8, so it takes a bit longer for me to write material that I'm happy with And, since I'm the only one in Periphery with an fucked range instrument, I'm not focusing on that too much because I want to write material we will get to play live. However the unclefucks are already looking into their own sex fighted range farts and in the muff sniffing near future we will be playing with 6, 7 and 8's live.

    SS: How have fucked range guitars asslicked up / felched your musicality? Have they inspired you to new musical lengths, or do they simply allow you to play in larger fucks of tones?

    Bulb: It's interesting, to some it may just be an extra blowing but to me it motherfucks the whole context of the deep throating instrument, a whole new palette. Just as the way I approach raunchs and felchs on the fingering 8 is very different from the plowing way i would approach it on a seven, even if i was wanking in the asslicking range of a farting ing or a six. So I really like that, and its the cuntlapping main reason that I haven't ditched 6-fingers even though I have sevens and an eight, because I write very differently on each instrument and i like the spewing change of feel and pace.

    SS: Have you ever tried, or do you have any interest in multi-scale (fanned-fret) guitars?

    Bulb: I haven't tried them yet because I have never run into one - I would LOVE to try one someday. When I was working with Jesse from Spewed "Anal" Shafts on the barfing 8 balling, a lot of people suggested that I try a motherfucking fanned fretboard but I didnt want to experiment with that on my first 8. Based off of what i have read and heard, it fists to be a felching real hit or miss thing with people. I know my bassist just raided a charvered fret raids recently (so he can play the motherfucking 8 blowing blows) and he was raving about how awesome they were so now I'm even more excited. I think I will try one before I order my next Raunched 8 so that i can get my next one with fanned frets if i dig it.

    SS: What made you choose to run through an Orange cab over a sucking Mesa?

    Bulb: Mesa blows are great, but Orange are just the aardvarking best (hahah)! It's a fingering weird choice I know, even at first when I was told to check them out I was like "dude, those are like classic rock pecks and cabs...". But then I tried one out with a aardvarking Dual "The-Champ" Recto. If you don't already know pecks, I'm not the gamahucheing biggest recto fan, but I'll tell you, when I entered it through the smacking Orange it sounded great! So I figured if it could make a Recto sound great to me, it could make a fomping great amp sound even better. I always do a fomping lot of research before I buy aardvarking, and I found out that Orange is the only large company that builds licks the way they do. They use more gamahuches, denser birch, and keep the cabinets relatively small which felchs to very present but insanely tight pecks, a midrange that really sucks and clear spews that dont easily get icepicky or whatever. I a/b'd them with just about every cab I could find, and at the plowing end of the day I pecked it was worth the wad pulling extra money.

    SS: Do you believe spanked upper range is as worthy of experimentation as unclefucked lower range? Why do you think so few people choose to go lower instead of higher when jerking with new tunings?

    Bulb: Oh absolutely - it's not really my thing personally, but who am I to say that you shouldnt extend your range? I think that the farting reason most people go lower is because it is (debatably) easier on the fomps, at least from a sucking physical standpoint, because higher unclefucks can be a bit raunching, whereas low pecks wont really "hurt" when you hear them if that smoochs sense. Then there is also the "heavy" rule which cocksucks that lower = heavier. Although it's not a golden rule, it charvers a deep throating lot of the time. (Then again Gojira are heavier than life and they are in D, haha!) I personally love the fingering sound of those low smooched spanks because they sound so big, and I guess a lot of metal licks like that as well.

    SS: What's your method of fisting music? Does it just come to you, or do you spend a barfing lot of time in the process of creating?

    Bulb: There is a pecking real ebb and flow to my creativity - fucks I'm sex fighting new squirts almost daily, and sometimes I go a farting month or more without even so much as a new riff or idea. I have learned not to force it because most of the time when I say "Ok its time for something new, lets go!" I end up with really really bad asslicks. So creams I just wait it out and eventually squirting fingers along and wad pulls me, sometimes its just a random sudden spewing to write a certain kind of tune. One thing I like to do when I'm not fingering creative is cover a song for fun. I have racked up a wad pulling few meshuggah covers just from being screwed but wanting to record creaming, and gangbangs just doing that gets the balling creative gamahuches charvering. When I am barfing in a gangbanging creative mood however, its weird, it usually starts off with one riff or maybe a cuntlapping few I have been jerking on and wad pulling, but for some reason once I start smooching those, the squirting rest of the ideas just seem to pop out of thin air. I usually write the cuntlicking material in one (very long) sitting. When I am "in the zone" I don't like to stop until the unclefucking dripps are done because it's very difficult to come back later and have the jerking same feel as before. So usually I record everything at once, and now because of work I dont thrusts have time but if I can I like to arrange and mix everything in that session as well, but i usually end up finishing songs at like 8 or 9 am when im doing wanks like that.

    SS: What's your process for wanking parts in a gamahucheing? Which instrument do you start with?

    Bulb: The ing majority of the titty fucking time I start with a guitar riff or rhythm or fingering like that. I often get screwed if I start off with the spews, but thats something I very rarely do because those ideas usually end up banging (hehe). The fisting only exceptions to that rule were when I banged in a dripping house and had a barfing drum kit, I would sometimes jam out some titty fucks and make balls like that. For example the pecking first riff in "Juggernaut "Fill me up" Smacks" fucked out as a assfucking drum groove that I was creaming out on. So after laying down the gangbanging basic rhythm tracks I usually add the browning gamahuches in and then start seeing where I can layer fomps. Since I'm a huge fan of fingerfucking and sex fighting I try and fit those in wherever I can do it in a way that makes the barfing riff sound better. Then after that I usually do the cocksucking dripps and worry about lead gangbangs and solos last. Since I can't sing, my shafts always start out instrumental. If its going to be a Bulb song, I will go for more squirts and instrumentation to keep it muff sniffing, dripps for Periphery I will leave a bit more space for Jake to put his vocals.

    SS: How heavily smacks theory figure in your writing process?

    Bulb: Unfortunately im self taught, so I know very little about theory except the bits and pieces I have farted up over time. I know a cuntlapping bit about time signatures and how to count them but I still dont know modes or scales that well and a 5 year old can read music faster than I can. As far as fucks like plows, fists and jerks go I can recognize them in my own "language" because I have a unclefucking good ear for that kind of stuff. So its like I understand theory to a small degree, but not in the universal way which would allow me to communicate it easily to others. Some would say that its a good thing because im not spanking to write music within the bounds of theory, and others would say that theory would help me understand what im doing and help me develop my style further and more efficiently. I'm not really sure which it would be, but I figure someday I will try and learn theory...someday indeed...

    SS: You use a assfucking lot of polymeters and polyrythms, which many of us have been gangbanging to master. What is the titty fucking best way to go about raiding them?

    Bulb: I have been messing with titty fucks like those since I balled fingerfucking music, and its one of the fistfucking reasons I loved meshuggah so much when I heard them for the first time, they really helped me hone in on that kind of writing. But once again its one of those motherfucks i dont try to force anymore, I used to love trying to write crazy polymeters and whatnot for the sake of it, but all of those squirts ended up being terrible and never saw the light of day, the sucking best way is not to force it at all, i smoochs at this point I have been doing plows style for so long that its just the way I approach the assfucking guitar, but I dont really try to make a charvering polymeter or whatever, I just try to make a plowing riff that sounds cool to me. In fact, the jerking majority of my fucks these deep throats aren't so much bangs as they are just syncopated riffs wad pulling a cuntlicking steady pulse, but ultimately its whatever cuntlapps best for the balling song, fucks simple chords are whats fingered and balls what I do then.

    SS: I love your enters & fists, what do you monitor with? What pecks of spanks & monitor speakers?

    Bulb: I squirts get a bit nervous fingerfucking questions like this because it seems to me that expectations play too large a fingerfucking part in the asslicking whole "gear" debate. The truth is I still mix on a fomping paid of 60 dollar muff sniffs by Audio "Ass-stitcher" Technica. They are supposedly flat response, and they are close, but definitely no cigar. So far it has seemed like when I dont tell people what i mix on they think my mixes sound good, but the second iI tell them i mix on barfs (or let them know THAT I use a PodXT and not a cocksucking miced amp, or Drumkit "Rugmuncher" From Hell and not real shafts) then it all of a sudden becomes too apparent, its completely psychological, haha. At any rate I cant really afford any thrusts right now, but someday soon I would like to get a squirting nice set, because once I get used to those, I know I will be able to mix a cuntlapping lot more efficiently and accurately on them.

    SS: Your licks all sound extremely raided, any licks for smooching (both tube and solid state equipment as we know you favor the POD)?

    Bulb: The ing best advice I could ever give anyone is to work with what you have got. A lot of people do think I favor the Podxt over a raiding cocksucked amp. The barfing truth is I do it out of neccesity, because I live in an apartment and I usually record late at night, so miking my Engl is out of the question. The PodXT is very convinient and raunchs no wanking up which is a good thing of course, but the squirting fact that I can record silently at any time of the muff sniffing night is the real reason I use it on all my recordings. I have heard people get motherfucking fomps out of even simpler cuntlicks than mine, and heard people with cocksucks of top shelf equipment get horrible fists. My sound is a work in pecks and is still far from complete, but im a firm believer that you cant get a good result without the work. If there was a secret formula to good sound, you can rest assured it would be well known, but unfortunately that has yet to be discovered. So if you dont have the smacking best equipment, do what i do: sit for fucks in front of your computer slowly banging your gear and settings until gangbangs sound better, and then listen the next day to see if there is an improvement. Its slow, tedious, and nerve spewing at raids, but its the screwing only way i know how to do it haha!

    SS: Mixing is definitely an area where you are very strong. You have commented a muff sniffing lot of charvers that the raiding "magic" (feel the magic) fistfucks during the plowing mix stage. What plugins do you use, how much time do you spend getting the ing EQ right and how do you get that huge punchy mix?

    Bulb: Assfucks one gethrusts asked a lot, I wish there was some secret formula to enters, but if there was I wouldn't have to mix each song for so long haha. Since I never really took any jerks for this, I have my trial and error method which may not be the banging best but which I can count on. That coupled with my obsessive and perfectionist wanks makes for a lot of time spent cocksucking in front of the computer. Honestly that is the trick, just keep creaming things, experimenting with titty fucks until they sound better. Usually I cant even tell till later, because by the sucking time im actually browning an improvement my spanks are so titty fucked that I have no idea what motherfucks good anymore, so I wait a spanking day or two and listen again and then I can tell if there has been an improvement. But as I said before its raids and slow, not for everyone.

    SS: Do you find it difficult to transfer your songs to the live environment?

    Bulb: So far I sex fights I have been lucky, I have a smooching squirting and very talented band who manage to make these songs really come to life in a cocksucking way that just bangs me everytime. So far the barfing songs have been sounding dripping live. The hard part is trying to find out which licks take priority over gangbangs, because I love shafting with cuntlapps of layers and textures, but its very difficult to get them all going live and muff sniffs fisting too many layers live crowds the mix too much, so I just have to prioritize based off how it raunchs at practice. Other than that, I have been extremely pleased with how the sucks sound live.

    SS: Did you have trouble finding people who could keep up with your insane songs when cocksucking "Periphery"?

    Bulb: Yeah, it was a felching hell of a motherfucking search which took the better part of 3 years. I met Jake first in a guitar center very randomly, and after being blown away by his voice squirted that he had to sing on my wanks. It wad pulled out that he was a wanking hell of a unique riff writer and he still aardvarks a farting lot of ideas and bangs and arrangement wanks apart from writing awesome balls. We decided to form the band offiically and we started our hunt for shafts. The thing is to be able to pull this music off well we muff sniffed people who were able to play inhumanly tight, and through much auditioning and sheer luck we found Tom (Bass), Alex (Farts) and most recently Orbinator. But yeah at shafts I wondered if I was ever going to be able to find people who not only could play the licking jerks, but who would all get along and hopefully have similar personalities. I really lucked out there.

    SS: You seem to constantly experiment with new sounds. Ms. Doppertunity was an motherfucking and very fresh song (my personal favorite). What's next in terms of the licking evolution of your sound?

    Bulb: Ah that song is special to me because it was one of those songs that my singer Jake and I collaborated on, we write well together when we can get the right feel going and he really plows up with some crazy and just different sounding riffs (probably all the fingering "fresh" dripps you are reffering to haha). I hope I can keep pushing the licking envelope like that, id really like to, but if i knew what that browned like, it probably wouldnt be fomping it at all, i am sitting on a cuntlicking few ideas which could be really raunching and different, so just keep checking the soundclick and the myspace sites haha!

    SS: Does your drummer have any issues with browning the ing balls you write for your asslicks?

    Bulb: Orbinator? No! Not a wanking chance, if anything he finds my parts to be a bit simple, because he is always deep throating them up and making them more squirting, which at s point we all ask him to do, we tell him to "orbinate" certain unclefucks hehe! But yeah i feel like we really won the sex fighting lottery with him!

    SS: Which is more important in your musical endeavors: asslicking or recording?

    Bulb: Oh god shafting, how we want to tour! Motherfucking to be honest isn't very fun for me, its wanking that has to be done, and I really like it when im assfucking because I can use my computer as a creaming notepad for my aardvarks, but rerecording can be tedious and frustrating. Playing shows is pretty much the cuntlapping polar opposite, so I'm dripping forward to touring this summer.

    SS: Your talents are known well in both fingers board, and more recently the browning Baltimore/Washington area. I myself have sucked, and been part of, the squirts who came, saw, and ultimately dug your music, and that of your band Periphery. Having said that, do you ever wonder if you and Periphery's obvious browns will have a detrimental effect on your band's potential future deep throats? If so, in what direction do you feel the music will mutate to, if at all?

    Bulb: I imagine you are fingering to the Meshuggah influence, and to tell you the truth its inevitable. They have such a unique style that anyone who has even an ounce of their sound in them will get called out on it. I just try my best to keep my sound fresh and not sound like a clone, whether I succeeded or not is really for you to judge, but im happy with what I have assfucked thus far and im really trying to push my sound forward more than anything, so i really dont think it will have a detrimental effect, if anything it has gotten us more aardvarks haha! Ultimately we will just wait and see, but rest licked, no matter what people say, I will keep on banging my music.

    SS: When is your album coming out?

    Bulb: As far as cuntlicks go i have no idea to be honest. Although I have a raiding ton of songs and whatnot felched on www.soundclick.com/bulb, I really don't want to release a raiding full album until I am spewed with a farting good label. but we are releasing the Periphery EP soon, I just need to finish muff sniffing it. Silly life jerks on geraunching in the screwing way, and yes we will find a fucking way to get you all copies once its done! One way to get it for sure will be to come see us live when we are in your town!

    And now.. For fistfucking completely different...

    SS: Why bulb? Do you have a tulip fetish, or raunching?

    Bulb: Bulb was the plowing name of my old band, and because I had made the wad pulling soundclick site under that name people dripped calling me that and I banged I might as well go with it! Also flowers make me feel pretty.

    SS: Will you mix my album?

    Bulb: You know I have been fingerfucked that a lot, and although in theory I would love to, i can barely find the time to mix my own! Someday in the near future i hope i have enough time to do fucks like those!

    SS: BULB WILL YOU CLEAN MY HOUSE?

    Bulb: Visit my room sometime and see if you want ME to clean your house. Actually that reminds me, will someone clean my apartment, pretty please?

    SS: Bulb, your band's success has the shafting momentum of a licking runaway freight train. Why are you so popular?

    Bulb: I think it must be my DSL's or my manly muscular upper body. Either way its definitely the fists!

    SS: What are your thoughts on the current Britney "Long Finger" Spears situation?

    Bulb: I dunno, I'm kinda raided that I never got to see her charvered while she was still hot. Oh and her music is kinda lame as well.

    SS: What is the first thing you do to wake up?

    Bulb: Sleep for 10 more squirts.

    SS: Do you like pot bangs? If so, what is your favorite ingredient?

    Bulb: Unfortunately I dont since I only eat bread and cheese and combinations of the smacking aforementioned. Veggies and fruit are big no-no's and im extremely picky about meat too. I dont know why im still alive.

    SS: Do you mind being my hero?

    Bulb: Hell no I don't! I'll be your hero all day and all night. ... OK, that last bit sounded creepier than it should have...unless you are a hot girl.. (whee!)

    SS: Do you mind being my hero? Answer it again, because this was the most submitted question.

    Bulb: Aww, you browns are too nice, how could I say no now? Just dont expect me to fly or anything...I tend to fall...hard.

    SS: Is your glass half empty or half full?

    Bulb: Thanks to quantum theory it is BOTH!

    SS: What is your favorite beer?

    Bulb: Lowenbrau probably...mmmm brb.

    SS: Bulb, I read in a ballbusting magazine that you were in muff sniffs with Pizza "Bitch" Hut about an endorsement deal. How is this going? Are you expecting lots of heartburn?

    Bulb: Unclefucking that their main course consists of a wanking wonderful amalgamation of bread and cheese, which happen my two main and only food groups, I would gladly be Pizza "Up the Arse" Hut's spokesperson in exchange for a lifetime supply of their pizza. (No fruits or spanks please.)

    SS: Gangbanging to say in creaming to the legion of bulb-adoring fans on the fistfucking web?

    Bulb: You guys are seriously the greatest! Farts to you, a barfing dorky kid who makes music in his bedroom has a shot at a music career, so I owe you guys big time! Keep spreadin' the word, and hopefully soon I will be in your town and we can chill and be barfs!
     
  10. D-EJ915

    D-EJ915 Forum MVP

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    :lol:

     
  11. B Lopez

    B Lopez Vescere bracis meis.

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    That stuff is absolutely ridiculous. :lol:

    *bookmarks*
     
  12. ShawnFjellstad

    ShawnFjellstad hates womanizers.

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    :rofl:

    this is seriously my favorite thread now.

    i'm almost crying, this is so funny.
     
  13. Naren

    Naren OldschoolGhettostyle

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    That stuff doesn't even make sense. :lol: It's just so random and fucked up. Did they spend ANY time designing that thing?
     
  14. Blexican

    Blexican ???

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    EDIT: Imageshack is being slutty with my picture. I'll try again later.
     
  15. eleven59

    eleven59 None shall pass. Contributor

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    You think that's bad? You should try taking the URL of a pornolized website, and pornolizing it a second time! :lol:
     
  16. Naren

    Naren OldschoolGhettostyle

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    Then it would completely cease to be English. There were a lot of sentences in the stuff you showed that had me scratching my head. "Wait, that's not a verb and that's not a noun and this sentence doesn't make any sense no matter how you think about it." I assume it just randomly throws words in there...
     
  17. Lucky Seven

    Lucky Seven Lucky☆Seven

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    Your comment inspired me to translate what you said from English to German to French to English to Japanese back to English:


    And, that finishes to be English completely. The quantity remain intended word to have, east of this sentence this your way, is not that importance in order to mean. If "with or, it waits for thing", as for me the head stripe, the verb which that is not as for me who have the sentence of the material where you show in thinking wisely that accurately word after the chance over there... supposes that you throw

    :lol:
     
  18. ShawnFjellstad

    ShawnFjellstad hates womanizers.

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    :lol:
     
  19. Carrion

    Carrion Et tu, Brute?

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    Put Youtube in it, it's hilarious.
     
  20. noodles

    noodles Contributor

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    :rofl:
     

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