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Discussion in 'Dealers & Group Buys' started by skelf, Jan 9, 2017.
That short scale 5 wood looks stunning!
Big thanks to Arnold and Chad. Met these guys at NAMM had a good laugh with them and talked much guitar. Thanks for taking the time to sort out this review and the positive comments very much appreciated.
0232 J Type 4.
Reworked this bass by adding a colour to the top. Now available with full details at:
Guitar line up for the Birmingham Guitar Show this weekend has been sorted out.
I will have some ex-demo bargains on the stand.
Please drop by and have a chat with Steve Murphy or myself.
All the guitars can be seen on my Facebook page or my website.
New model laugh at the London Bass Guitar Show this weekend.
ACG introduces the RetroB Series.
Much as the name suggests this is a design inspired by what has come before. Those that have followed my work over the years will know that I am very much focused on what comes next so this is a bit of a departure from my usual design process.
From a design point of view I have had no real interest in what would be regarded as the classic bass designs. I personally have never owned any of the the big four and when I played was not interested in them. Over the years I have been asked to build copies and have alway turned down the work because it was not something I was interested in, there are more than enough J Basses out there without me adding to the list.
So what brought about this look backwards? The answer is mostly to do with conversations I’ve had with Colin Cunningham. As someone who has only designed basses that appeal to me, some more than others, having the perspective of a full time professional player over a period of time has brought to my attention aspects that, while aware of, did not overly influence what I was trying to achieve. Out of these conversations the RetroB basses were developed with design input from Colin. The idea was to produce a bass that gave a clear nod to the past, had a comfortable aesthetic being familiar on the eye, but retained modern sensibilities and features while still being recognisable as an ACG instrument.
On top of the overall look the instrument would follow a more traditional construction method and pallet of woods. Alder and Swamp Ash body, Figured Maple tops with or without colours,one piece necks ,a first for ACG, 22 fret Rosewood* and Maple finger boards. They will also feature what are standard on all ACG instruments, East Tone UK electronics, ACG B Series pickups and carbon reinforced necks. Currently available in 4/5 string with a J pickup configuration and P single pickup version.
So a radical bass for ACG in that it is conventional in most aspects, with the admission we are all standing on the shoulders of those that brought the bass guitar into this world.
* With new restrictions on the export of all Rosewoods alternative options will be offered.
Me talking about some up coming work.
Guitar Nerds were kind enough to drop by at the Birmingham Guitar show to have a short chat about what I am up to at the moment.
Number 5 in the Workshop Chat (dribble) Series.
Very nice guitars! Your fractal birch is awesome, almost a pale moon ebony effect.
On to number 6.
Dirty dirty dirty.
Thanks very much.
I just got some killer PME in the other day.
Sweet, love that stuff, hope to add some to my collection some day! Nice shop you have too, well equipped with the dust collection systems.
Got to try and keep on top of the dust it is a killer,literally.
Next workshop vid number 7.
Posted an NGD in http://www.sevenstring.org/forum/showthread.php?t=320424
Number 8 in the Workshop Series.
Steve Murphy demo of a Reiver Guitars Krell 6.