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Old 04-21-2004, 09:38 PM   #1
Chris
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I've got a Roland PMA-5. While it's not much by way of studio recording, it's a fantastic practice tool. I'll be making and posting up bunch of straight 4/4 loops of different keys, but if anyone has a request, post it up here and I'll get you a loopable mp3 of something.

So if you've ever thought "I'd really like to try writing something in C m7 sus4", let me know and I'll accomodate you. I use them to get the hang of soloing over uncommon (and just plain fun) keys.


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Old 08-13-2004, 02:51 AM   #2
Vacant
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I'm not quite sure what you mean..

Gather ye rosebuds while ye may
Olde time is still a-flying
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Tommorow will be dying...
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Old 08-13-2004, 05:47 AM   #3
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he means just programming simple cohrd progressions to solo over that are different and unique. I got a request.. Do a cool minor progression out of like, Gminor and use some big jazz chords.
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Old 08-13-2004, 06:09 AM   #4
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Actually it's drums & bass, with the key of your choice. I'll post up a sample tonight (it's 7am and I'm awaiting brewing coffee right now)


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Old 08-13-2004, 06:56 AM   #5
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Cool. Let's hear 'em.
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Old 08-19-2004, 06:40 PM   #6
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I'd really appreciate some of that stuff :p

Gather ye rosebuds while ye may
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Old 10-01-2004, 04:07 PM   #7
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Niice! CAn I pop over when you do it? I still have not used my pma-5. Maybe I could catch some lessons!

http://gronkyco.com - just because
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Old 10-01-2004, 04:24 PM   #8
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Gm(add9add11add13) to an Ebmaj7 to an Am7(add9add11), over a funk bassline in 8th note sextuplets.
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Old 10-01-2004, 04:26 PM   #9
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man, desertdweller is a dick!
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Old 10-01-2004, 06:11 PM   #10
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Actually, I can do that.

I'll try to have somethin' up this weekend.


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Old 10-01-2004, 06:36 PM   #11
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hahahah great response
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Old 10-02-2004, 09:50 AM   #12
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Quote:
Originally Posted by desertdweller
man, desertdweller is a dick!
Yeah, screw that bastage!
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Old 10-03-2004, 01:08 PM   #13
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Quote:
Originally Posted by desertdweller
Gm(add9add11add13) to an Ebmaj7 to an Am7(add9add11), over a funk bassline in 8th note sextuplets.

An Am7 add9 a11 is just a Am11. Unless you specify no 11 or 9 (or modify them) its assumed they're part of the chord when you say 11 ;p

So you want a GmAdd9/11/13 to a EbMaj7 to a Am11.

You could also say Gm13(No 7) if you watned, too ;p

So that gives us a Gm13(no 7), EbMaj7 Am11 progression..
So Vi-IV-Vii progression in Bb Major ;p

Once you break it down thats actually pretty simple lol
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Old 10-03-2004, 08:54 PM   #14
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how about some blues progressions in keys of A, C, and B?
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Old 10-04-2004, 01:11 PM   #15
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Quote:
Originally Posted by HateBreeder
An Am7 add9 a11 is just a Am11. Unless you specify no 11 or 9 (or modify them) its assumed they're part of the chord when you say 11 ;p

So you want a GmAdd9/11/13 to a EbMaj7 to a Am11.
You're probably right It's been years since I was in music theory class. My mind might not remember all of it, but I'm glad my fingers still do
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Old 10-05-2004, 10:50 AM   #16
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Guess thats all that matters ;p
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