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Old 04-29-2006, 04:44 PM   #11
maskofduality
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Out of curiosity Shannon, how did you do the chording with walking basslines? two hand tapping?
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Old 04-29-2006, 04:52 PM   #12
Shannon
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Quote:
Originally Posted by maskofduality
Out of curiosity Shannon, how did you do the chording with walking basslines? two hand tapping?
Well, there's two different ways.

1) the aforementioned tapping
2) Just doing it like the jazz players do....fretting with the left and picking with the right. I'll play the bass lines with my index & middle finger (sometimes thumb) & chords with my middle, ring & pinky fingers. To pick, I'll pluck the bass notes with a pick or my thumb & use my index, middle & ring fingers to sound the upper chords.

It can be daunting at first, but once you get the technique down, it's no different than anything else.
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Old 04-30-2006, 03:33 PM   #13
Karl Hungus
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Ok, the tuning is now Death approve top 6 with the 7th dropped to G!

I'm suprised it's actually this low, and still playable. Fucking hell it's heavy, I tells you! I'm going to drop it down to F# now just to hear how heavy an 8 string would be.

F# is fucking HEAVY!


Last edited by Karl Hungus; 04-30-2006 at 04:09 PM. Reason: Automerged Doublepost
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Old 04-30-2006, 04:15 PM   #14
D-EJ915
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I played in G before with a 56 and that was muddy as hell, lol.

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Old 04-30-2006, 07:14 PM   #15
bostjan
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Yeah, I wonder if you could do a whole step down, drop c, then drop f for effect without going totally into mud. I find g to be a little muddy even with a relatively thick string, unless you have a 27"-er. 30" holds an f just fine, though.

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Old 04-30-2006, 07:25 PM   #16
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It was also probably partly due to the craptastic stock pups in the H207, if I had some good ones it might've sounded decent but thicker strings (like a 64) would've helped a lot.
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Old 04-30-2006, 07:54 PM   #17
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Holy shit I did not know they made a 7 string stealth
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Old 04-30-2006, 08:13 PM   #18
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Quote:
Originally Posted by Karl Hungus
Ok, the tuning is now Death approve top 6 with the 7th dropped to G!

I'm suprised it's actually this low, and still playable. Fucking hell it's heavy, I tells you! I'm going to drop it down to F# now just to hear how heavy an 8 string would be.

F# is fucking HEAVY!
I use that tuning myself, only down to drop C/drop F. I've used it for years. Works perfect for me.
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Old 05-01-2006, 05:16 AM   #19
Karl Hungus
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Quote:
Originally Posted by Mastodon
Holy shit I did not know they made a 7 string stealth
Custom built for yours truly.

BC Rich offer every model as a 7 String in the custom shop though, and they're fairly affordable too compared to a lot of other custom shops. $2299 was the price tag of said custom built instrument.
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Old 05-09-2006, 06:41 PM   #20
TonyFlyingSquirrel
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TRY A TUNING I CALL "DOUBLE DROP".

TUNE THE LOW E TO D, SO IF YOU'RE PLAYING IT AS A 6 YOU HAVE THE OPTION OF DROP D.

THEN, TUNE THE LOW B TO A.

YOU CAN PLAY YOUR NORMAL DROP D STUFF, THEN WHEN YOU GO LOWER YOU ONLY NEED TO FINGER THE 5TH WITH YOUR RING FINGER, THE ROOT & THE OCTAVE STAY WITH THE FIRST FINGER.

I USE THIS TUNING ON A COUPLE OF TUNES WITH MY H207 & IT REALLY OPENS UP SOME RANGE, WHILE ALLOWING YOU TO SOLO WITH STANDARD TUNING WITHOUT MUCH THOUGHT ADJUSTMENT.
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