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#1 |
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Hates the Air
![]() Join Date: Jun 2004
Location: Florida
Posts: 17,846
Thanked: 82
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Extra high string experiment
So i wanted to play along to some new school testament songs, which tune to C# Standard... i had a really light guage on my Schecter from messing around with a set of strings that had equal tension on all strings, (so it was really light) so i tuned the thing from C# with a high F#.. And.. You know.. Its really freaking fun. The chords sound really cool with the extra high note.. i think i'm gonna lighten up everything a few notches and try to tune D with a high G... right now, the 9 guage is the F#.. i'm ASSUMING (havent calculated yet) that i'd be able to take an 8 up to G.. i'm actually kinda stoked about the whole thing. its SO disorienting with everything being shifted down by a string... but i'm getting the hang of it.. Arpeggio shapes are new and different lol
If you list your gear in your signature, you're a prick.
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__________________
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#2 | |
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Wannabe Shredder
Join Date: May 2005
Location: Zaventem/Belgium
Posts: 1,102
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Quote:
Trust your ears. In life and music, what is is but that doesn't always mean it's what it should. Change, is in our hands. My band: http://www.corpusweb.eu/ |
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#3 |
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I want a 1527!!
Join Date: Dec 2005
Location: Brisbane Australia
Posts: 1,304
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yeah, the high g on a 12 string is usually first to break
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#4 |
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XEN Master
![]() Join Date: May 2005
Location: Alexandria, VA
Posts: 3,558
Thanked: 8
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Dude, I used to play a lot of F# tuning with my Steinberger TransTrem. Fun!
Now if only they made a 7-string so I could go down to C#........... Oh yeah, and it was a calibrated 0.009 string on that F#. |
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#5 |
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Mötherfucker
![]() Join Date: Nov 2004
Location: Daytona Beach, FL
Posts: 5,928
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Good luck.
I'd stick with the C# though, since I'm starting to love that tuning.
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#6 |
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Hates the Air
![]() Join Date: Jun 2004
Location: Florida
Posts: 17,846
Thanked: 82
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well, i dont think that 8 would be a problem for G.. i mean, i've got the 9 on F#, and the schecter's a 26.5" Scale. .i've done some bends on it and whatnot, and its staying put just fine. I'm probably gonna take a whirl at messing around with the string tension calculator and see if i can't come up with a decent set of strings...
Edit: Anyone know where to get 7 guages? According to some calculations, that would put about exactly the tension i want on there... but i cant seem to find them on just strings.. If you list your gear in your signature, you're a prick.
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#7 |
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Senior Member
![]() Join Date: Jul 2004
Location: Bonney Lake, WA.
Posts: 4,336
Thanked: 11
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Ken, I used .007s on my 9 string. I might still have one or 2 around. If not, I had the music store back home order a bunch in for me. I'm sure they still have some.
Bad Mother....a of the Classifieds |
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#8 | |
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Spastic Kitchen!
![]() Join Date: Dec 2005
Location: St. Johnsbury, VT USA
Posts: 7,561
Thanked: 15
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Quote:
I honestly never had any problem with a high g with either .008" or .009" It's the high a that gives issues. Keep in mind, a pedal steel guitar has a slightly longer scale (~26"), and uses a .010" or .011" for g#. It's pretty damn tight, but it won't break too much. Say nay if you will...I say yay. [URL="http://sites.google.com/site/bostjanzupancickhereb/"[/URL] |
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#9 |
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Divinitus Infallibilis
![]() Join Date: May 2004
Location: Cleveland , Ohio
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I've had luck with a .008 tuned high A..
Born of Fire//--\\ Consumed by it Divinitus Infallibilis |
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#10 |
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OldschoolGhettostyle
Join Date: Aug 2005
Location: Tokyo
Posts: 12,895
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That tuning sounds sweet, Ken. I used to try so many different tunings on my six-strings, but, due to the tremolo on my seven, I've only played in standard and drop-A. I'd like to try a lot of other tunings, though.
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#11 | |
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Lord Super Awesome
![]() Join Date: Aug 2004
Location: Seattle, WA
Posts: 9,260
Thanked: 146
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#12 |
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ss.org Regular
Join Date: May 2005
Location: California, USA
Posts: 122
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I want to tune my 6 string from A2 to A4 and use it for leads, I tried a .007 from D'Addario from juststrings.com and it didn't even tune to G4 before it broke, if anyone has any success tuning to A4 on a 25.5" scale, please tell me the gauge and the brand strings you used, so that I can get them and try them! I'm really interested in Garry Goodman's strings he's developing, an A4 string that I could bend just like any other string would be great!! But as I heard he hasn't implemented ball ends on them yet, which makes it no use to me seeing that I don't have a special clamp system he has, lol. Garry if you're reading this, please let me know as soon as you come out with an A4 string with a ball end that you can sell to me.
Side question: Shannon, who is that girl in your avatar? (Keep in mind I don't watch TV at all really so I don't know who is who a lot of times, lol) She's pretty nice, you got good taste!
~EverDream~ "Enter my private... chamber" Schecter C7 Blackjack.......Drop G# (9 - 56) Ibanez AJ307CENT.............Drop G# (11 - 64) Galveston 8-String Bass....Low E or F (20 - 180) Silvertone SIK-1................Drop A# (10.5 - 54) ~~~~~~~~~~~~~~~~~~ |
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#13 | |
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SS Contributor
![]() Join Date: Apr 2005
Posts: 3,640
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#14 | |
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ss.org Regular
Join Date: May 2005
Location: California, USA
Posts: 122
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Quote:
http://www.pacificsites.net/~dog/Str...ionApplet.html you should check it out, it's very handy. ~EverDream~ "Enter my private... chamber" Schecter C7 Blackjack.......Drop G# (9 - 56) Ibanez AJ307CENT.............Drop G# (11 - 64) Galveston 8-String Bass....Low E or F (20 - 180) Silvertone SIK-1................Drop A# (10.5 - 54) ~~~~~~~~~~~~~~~~~~ |
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#15 |
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Spastic Kitchen!
![]() Join Date: Dec 2005
Location: St. Johnsbury, VT USA
Posts: 7,561
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It's a pretty simple formula if you know the density, scale length, frequency of fundamental and gauge. No need for it to cost money.
[URL="http://sites.google.com/site/bostjanzupancickhereb/"[/URL] |
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#16 | ||
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Hates the Air
![]() Join Date: Jun 2004
Location: Florida
Posts: 17,846
Thanked: 82
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Quote:
Seph - That was on a 25.5" Scale, right? the schecter is a 26.5".. so its got about .5lbs more tension on there. I think i'd need at least an 8 for a high G, and then a set of 10's below that... EverDream - thats the one i use. Freaking useful, that thing is. I was thinking a 7 would be ideal if i can find one, since i calculated the tensions to be something along the lines of: Quote:
If you list your gear in your signature, you're a prick.
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#17 | ||
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SS Contributor
![]() Join Date: Apr 2005
Posts: 3,640
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Quote:
Quote:
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#18 | |
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XEN Master
![]() Join Date: May 2005
Location: Alexandria, VA
Posts: 3,558
Thanked: 8
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#19 | |
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ss.org Regular
Join Date: Dec 2005
Location: Denver, CO
Posts: 143
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#20 | |
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8-0ctaves
Join Date: Feb 2006
Location: CA&HI
Posts: 326
Thanked: 6
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Cheese slicers etc.
Quote:
The kind of strings I wanted are flexible,and even bendable. I 've spent several years developing a string that can be tuned to G4 or A flat 4 at the 32" bass scale.It would be impossible to have a 12-string bass without this high string .All the formulas mean nothing when they don't work. Shortening scale length is a last resort to get a string to go higher,and that doesn't help that much. I applaud JP for making a 12-string bass for Jean Baudin.For me fanning from 35" down to 29" is not a happy thing.The fan becomes a little to extreme for my taste. The .006 they used tunes to A flat 4,but I know from my own 10 types of .006 wire ,at 29", we're slicing cheese. I have a very funtional A4 string. Currently ,I am having some guys "beta" test it. Right now,there is no bending up 3 whole steps with a high string at 25".The guitar scale would have to be around 19-20" to do that. How do I know all this? From doing it everyday for two years. So if anyone is interested in trying a couple of these strings ,send me a PM. |
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#21 |
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SS.org Regular
Join Date: Mar 2006
Location: Seattle
Posts: 624
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See there.....
I was going to suggest that a 19.5" scale length ought to do the trick. Tacoma Guitars did a single pickup ultra-short scale 6 string some time back that allowed an A tuning and is a really well made instrument. |
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#22 |
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8-0ctaves
Join Date: Feb 2006
Location: CA&HI
Posts: 326
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two guys have tried my high A string on their guitars and sent me good reports.perhaps one of them will post a thread soon.
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#23 |
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Oni Guitars
![]() Join Date: Apr 2005
Location: Brisbane, Queensland, Australia
Posts: 3,377
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Back home Garry? I'll email you as soon as I get all my software reinstalled on this damn computer...
I'm currently catching up with emails, please be patient
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#24 |
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prototyping...
![]() Join Date: Dec 2005
Location: Qualicum Bay, Vancouver Island, Canada
Posts: 5,365
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I've got my Universe strung EADGBEA with one of Garry's .005's for the high A. It's fantastic fun! Very playable and bendable.
Years ago I tried to tune a 25.5 scale guitar up to high A using .010's, .009's, .008's, and .007's and none of them worked. the highest I got was just under G# using a .009. I was surprised how much weaker the .008's & .007's were and that I could reach a higher pitch with the .009. Garry is definitely the man when it comes to extended range. Order some strings from him and you'll be shredding into the stratosphere The only problem is now I have no more excuses not to extend the design of my 7 string, 31 fret, 5 octave guitar into a 9 string 6 octave design.
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#25 |
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Spastic Kitchen!
![]() Join Date: Dec 2005
Location: St. Johnsbury, VT USA
Posts: 7,561
Thanked: 15
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Cool, now we can have trouble-free ERG's without the need to pay a lisencing fee to Ralph Novak. Ooops, now I have to pay a fee because I said his name. j/k
I still think fanned frets are good for all instruments with more than one string. If we could get .005"s, though, we are definately one the right track to get more range. Now who is going to be the first one to build a fanned-fret ten string with low F# and a high D?
[URL="http://sites.google.com/site/bostjanzupancickhereb/"[/URL] |
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