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Old 05-20-2008, 08:07 PM   #21
budda
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budda is shredding to new heights.budda is shredding to new heights.budda is shredding to new heights.budda is shredding to new heights.budda is shredding to new heights.budda is shredding to new heights.budda is shredding to new heights.budda is shredding to new heights.
i play a les paul - its not light enough and the neck isnt skinny enough to ever feel like a toy

there's a reason i go for hefty guitars

3 cheers for free gear!

"Do you like burned toast with your JAM? cuz we're on FIRE!"
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Old 05-20-2008, 09:24 PM   #22
FoxZero
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Quote:
Originally Posted by shupe13 View Post
Ahh... Working on getting one now.
The one 6er that makes 7 string guitar seem so easy to play. Haha. The chord options are insane as well as the scales. An extremely difficult instrument to master in my opinion but it's worth the effort. Definitely a steeper learning curve, I mean two extra strings
The best part is most people ask, what kind of guitar is that? Mine has a enlarged body so from a distance it just looks like a fucking big guitar, and it weighs a fucking megaton, by far the heaviest instrument I ever played, it kills my back.
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Old 05-20-2008, 10:10 PM   #23
metallisuk
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oh man i know what you mean

6's feel awkward and i always feel kinda trapped without the low B
I keep one of my 6's in A# for meshuggah-ey stuff and the another in C standard and another in E fat for pantera/nevermore/cooley kinda stuff,
if i wasnt so attached to all my guitars i would have sold them all to fund a couple of sexy 7s


gaaaawwwwwwdddd i need a 7
and in a year or so ill be saying
gaaaawwwwwwdddd i need an 8
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Old 05-20-2008, 10:25 PM   #24
Naren
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Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.
Can't play sixers anymore...? Why? Haven't been practicing your guitar lately? I think that if you can't play a six-string at all, then you probably can't play a seven-string very well. The only difference is one string.

Quote:
Originally Posted by budda View Post
i feel bad for you man, i can play a 6 and a 7 equally well and love them both.


I have 3 guitars in my apartment. From smaller to bigger: a 24.75" six-string, a 25.5" seven-string, and a 27" seven-string. I can play the 25.5" seven-string the easiest, then the 24.75" six-string, and lastly the most difficult to play is the 27" seven-string (which also happens to be my "main axe" ).
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Old 05-20-2008, 10:53 PM   #25
Kotex
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Kotex is rather kvlt and tr00. \m/Kotex is rather kvlt and tr00. \m/Kotex is rather kvlt and tr00. \m/Kotex is rather kvlt and tr00. \m/Kotex is rather kvlt and tr00. \m/Kotex is rather kvlt and tr00. \m/Kotex is rather kvlt and tr00. \m/
The only difference is not one string, but the whole shape of the neck (as well as string spacing). And for some people it just throws them off. I mean, like I said earlier I have a pretty hard time with this, but I could go back to playing 6's. The thing is that I would just have to play them a lot to get used to them again. I'm not one of those people who can just from guitar to another guitar and feel at home on them. I play the best on my stuff and what I spend the most time on. I think thats what the thread starter was talking about. So I don't think he meant he "can't play 6's" anymore is the literal sense, but more in the "I'm not comfortable with them" way.

Too much blood in my alcohol system
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Old 05-20-2008, 11:11 PM   #26
kmanick
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kmanick is rather kvlt and tr00. \m/kmanick is rather kvlt and tr00. \m/kmanick is rather kvlt and tr00. \m/kmanick is rather kvlt and tr00. \m/kmanick is rather kvlt and tr00. \m/kmanick is rather kvlt and tr00. \m/kmanick is rather kvlt and tr00. \m/
Wow, I find that pretty surprising.
I go back and forth between my Carvin 7, my Jackson soloist and my GMW strat constantly.
It takes me about 30 seconds to a minute to adjust and then I'm all set.
You should probably think about getting a 6 so you can stay "used" to it.
I play my Carvin about 70% of the time I play, but I make myself play my
other 2 guitars as regualrly as possible.
Shit they're both gorgeous guitars why not play them?

Can I be the devil on your shoulder?
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Old 05-20-2008, 11:23 PM   #27
Naren
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Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.
Quote:
Originally Posted by Kotex View Post
The only difference is not one string, but the whole shape of the neck (as well as string spacing). And for some people it just throws them off. I mean, like I said earlier I have a pretty hard time with this, but I could go back to playing 6's. The thing is that I would just have to play them a lot to get used to them again. I'm not one of those people who can just from guitar to another guitar and feel at home on them. I play the best on my stuff and what I spend the most time on. I think thats what the thread starter was talking about. So I don't think he meant he "can't play 6's" anymore is the literal sense, but more in the "I'm not comfortable with them" way.
I play sevens almost exclusively (I play sevens every single day and a six maybe once every 1-3 months), but, when it comes down to it, I think the string spacing for sixes is more comfortable. The shape of the neck really differs from company to company and I've played sixers that had necks that felt pretty similar to my Ibanez sevens.

Obviously, if you don't play anything but a single guitar, you will feel a little uncomfortable on different guitars, but you should still be able to play them. I personally can play sixs at 100% the capacity of my sevens, but someone not comfortable with it, maybe 80%.

From the OP's description, it sounded like a night and day kind of thing and I find that really bizarre, considering they both use the exact same principles and it really is just a difference of one string.
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Old 05-20-2008, 11:38 PM   #28
Kotex
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Kotex is rather kvlt and tr00. \m/Kotex is rather kvlt and tr00. \m/Kotex is rather kvlt and tr00. \m/Kotex is rather kvlt and tr00. \m/Kotex is rather kvlt and tr00. \m/Kotex is rather kvlt and tr00. \m/Kotex is rather kvlt and tr00. \m/
I play 7's exclusively . I can't afford strings (my strings smell like rust.) let alone another guitar. I've never played an electric 6 that had a similar neck to a ibby 7 (or a 7 period). I played some classical 6's that had similar width, but the string spacing was different. That was much easier to adjust too though. I'm curious, which 6 did you play that had a similar neck to a 7?

And I can still play them at about 80% as you said (when I warm up to them), but for me I'm more comfortable with the string spacing on ibby 7's. Although, I will say that I am twice as fast on a 6 when I warm up (because of playing on the bigger 7 neck). To each his own though
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Old 05-20-2008, 11:45 PM   #29
Naren
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Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.Naren deems you false, flexes, and cancels you.
Quote:
Originally Posted by Kotex View Post
That was much easier to adjust too though. I'm curious, which 6 did you play that had a similar neck to a 7?
There are several, but the closest that comes to mind is a classical guitar. I think it's even wider than a seven-string fretboard.

I've also played some acoustics with big necks. Not seven-string, but close.

Electrics tend to have narrower fretboards.

I haven't played my Les Paul now for almost 3 months, but I probably should whip it out and play it.
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Old 05-20-2008, 11:49 PM   #30
Kotex
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Kotex is rather kvlt and tr00. \m/Kotex is rather kvlt and tr00. \m/Kotex is rather kvlt and tr00. \m/Kotex is rather kvlt and tr00. \m/Kotex is rather kvlt and tr00. \m/Kotex is rather kvlt and tr00. \m/Kotex is rather kvlt and tr00. \m/
Yeah, they generally do. Any electrics you could name off though? I would be curious to try one. Or at least look at it
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