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| | #21 (permalink) | |
| Junk and harlot man. ![]() Join Date: Dec 2005 Location: North of sweden Posts: 6,907
Real Name: Jonathan Main Seven: Schecter Omen Extreme Main ERG: Orfea 10-string Rig: Behringer Thanked: 331
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Quote:
I really want more sharpness in my low end, but everyone has their own taste. Productive Desecration Since 2004 | |
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| | #22 (permalink) |
| IST KRIEG! Join Date: Jun 2007 Location: Nassau Long Island Posts: 1,673
Real Name: Anthony Main Seven: Purple Septor 727 Main ERG: I owned a 2228 for a week Rig: RGA321 > Mark IV Thanked: 22
![]() ![]() ![]() | IMO no. Unless you're doing some down tuning (lower than A), I don't believe it is necessary. BUT, I still haven't spent much time on a 27 scale instrument, so my opinion is subject to change. I'm going to make this pencil disapper |
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| | #23 (permalink) | |
| www.fools-game.com ![]() Join Date: Feb 2006 Location: Virginia, USA Posts: 1,256
Real Name: Matt Main Seven: Jackson 24 Fret Rhoads Rig: Road King Thanked: 17
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Quote:
![]() ...that the play is the tragedy, "Man" http://www.fools-game.com/ | |
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| | #24 (permalink) |
| Warmoth Sales Join Date: May 2006 Location: Puyallup, Washington: www.warmoth.com Posts: 1,112
Real Name: Flying Squirrel Main Seven: IBANEZ RG7620RB Rig: L6PXTL/TFS6/RG7620RB Thanked: 29
![]() ![]() ![]() ![]() ![]() ![]() | I personally do not care for extended scale instruments. I'm quite content with 24.75 or 25.5. Beyond that, I find it difficult to stretch strings, do arrpegio sweeps, etc... |
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| | #25 (permalink) |
| Adminishredder • Site Admin • Join Date: Apr 2004 Location: Boston, Mass Posts: 25,759
Real Name: Mr. F. Johnson Main Seven: Sherman Custom Main ERG: Douglas 6ST Bass Rig: 2101 -> S160 -> Mesa Thanked: 546
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | The nice thing about the extended scale is that if you're on a fixed bridge, and tend to drop tune back and forth a lot, you'll immediately notice a difference in tuning stability. :: chrisquigley.com :: Sevenstring Registry :: Share Your Music :: Share Your Patches :: Sevenstring.org MySpace chmod +ax /bin/laden |
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| | #26 (permalink) | |
| Chief Officer/RHLC © ![]() Join Date: Aug 2007 Location: AZ Posts: 7,462
Real Name: Max Main Seven: Ir now Sevenless :squint: Main ERG: A Dead Cat Rig: Mesa Rectoverb Combo Thanked: 46
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Quote:
it IS really easy to make long scale guitars sound like basses, your totally right you have to re eq and shit for it though, and if you get it to work, its wonderful Reverse Headstocks or Bust Dude...i just got a spam email that was titled "Funky date rape trick" -Zepp88 I just got another funny email "Her pussy smiled at me" -Zepp88 Don't tell me you haven't heard of Raptor Jesus It's important that you know this information :headnod: It will decide your fate when we are pwned. -JoeOvChaosI was going KAT KAT KAT KAT and you were going KAT... chk... KAT... chk-die. -TomAwesome | |
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| | #27 (permalink) | |
| www.fools-game.com ![]() Join Date: Feb 2006 Location: Virginia, USA Posts: 1,256
Real Name: Matt Main Seven: Jackson 24 Fret Rhoads Rig: Road King Thanked: 17
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Quote:
![]() I long scale gutiars for clean sounds, they have a super deep, almost "bell like" tone to them. They're also great for twangy country. For distorted sounds, they're just not my thing. | |
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| | #29 (permalink) |
| 7-String Drummer! ![]() Join Date: May 2007 Location: Winston-Salem, NC Posts: 1,147
Real Name: Shannon Main Seven: ESP/LTD M-207 Main ERG: Project bari in the works Rig: L6 Toneport GX -> PC Thanked: 10
![]() ![]() ![]() | Hmmmmm... interesting opinions! I've tried out a couple 26.5 Schecters and noticed a small difference, but not enough to cause any problems. I'm wondering though... when I get my $$ saved up and order a bari conversion neck for my project, what scale length should I go for? 27? 28? Something in between? I'm planning on tuning down to G for sure, and experimenting with drop-G and open C. I have shorter fingers, so I'm concerned about getting too large a scale... would 27" be enough, or should I really go up to 28? MY Space - writing about depression and music MY Music - writing about depression and... well, music Courage is the most important of all the virtues, because without courage you can't practice any other virtue consistently. You can practice any virtue erratically, but nothing consistently without courage. ~ Maya Angelou Who're those folks who hang out with musicians? DRUMMERS! ~ Ancient Scottish Proverb "GRRRRAAAAAAAGHHH!!!!" ~ Ancient Viking Proverb |
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| | #30 (permalink) | |
| prototyping... ![]() Join Date: Dec 2005 Location: Vancouver, B.C., Canada Posts: 3,416
Real Name: Leo Pedersen Main Seven: Raven 7 - my design Main ERG: Ergo 10, Ergo 9, Stick 8 Rig: 2101LTD>TS100>2x1936 Thanked: 36
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Quote:
But your impression is understandable since longer scale guitars are usually tuned way lower than the extension warrants. For example, extending a 25.5" scale to 27" and tuning down one semitone will give you exactly the same tone clarity and tension as the 25.5" at standard tuning. But people often tune 27" scales down a 4th or 5th which is 5 or 7 semitones. This will require much thicker strings and result in muddy bass-like tone. It will be slightly less muddy than the same tuning on a 25.5" scale, but still muddy. If you want to preserve a very clear guitar-like tone and tune down a 4th, then you need to extend the scale to 34". Then you can use the exact same gages & tension as you would with standard tuning on a 25.5" scale. | |
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