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Old 12-02-2007, 04:55 PM   #11
Desecrated
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Originally Posted by B Lopez View Post
I want that thing so bad. Im just curious how much it would cost to ship it out here.
E-mail them ???
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Old 12-02-2007, 08:02 PM   #12
yevetz
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Real Name: Vova
Main Seven: Ibanez RG 2127
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yevetz can play Erotomania with his toes.yevetz can play Erotomania with his toes.yevetz can play Erotomania with his toes.yevetz can play Erotomania with his toes.yevetz can play Erotomania with his toes.yevetz can play Erotomania with his toes.yevetz can play Erotomania with his toes.yevetz can play Erotomania with his toes.yevetz can play Erotomania with his toes.yevetz can play Erotomania with his toes.yevetz can play Erotomania with his toes.yevetz can play Erotomania with his toes.yevetz can play Erotomania with his toes.
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Originally Posted by Desecrated View Post
I'll rather add the extra 40 dollar and get the 10-string. But some weird people don't want more then 7-strings.
Nah.......as more strings as better.......but I am not fell ready for 10. Maybe for 8 yes...but not for 10

Sorry for my english
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Old 12-03-2007, 06:41 PM   #13
Dead but Dreaming
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Dead but Dreaming is a jewel in the rough
I've never had a want for more bass strings when playing classical, and I find the tuning of all those extra bass strings a little weird. It seems unnecessary. But that being said, I still want to hear what a 10 string sounds like
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Old 12-03-2007, 08:13 PM   #14
Desecrated
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I've never had a want for more bass strings when playing classical, and I find the tuning of all those extra bass strings a little weird. It seems unnecessary. But that being said, I still want to hear what a 10 string sounds like
"Upon adding four bass string tuned a very specific way - C, B-flat, A-flat, G-flat - the same resonance is elicited by each of the notes that make up the fingerboard's sonorous catalogue, by taking advantage of the natural harmonics (the octaves and the fifths) of the bass strings, which produce unison, sympathetic vibrations with notes played on the fingerboard. In other words, the additional strings act as string resonators (though they can be, and are also, fingered with the left hand and/or sounded by the right). The result is termed linearised chromatic string resonance since the bass strings now resonate equally in sympathy with any of the twelve notes of the chromatic scale, similar to the piano's sustain when the pedal is used. And just as a pianist has the option of whether or not to employ the pedal, the competent 10-string guitarist is able to execute complete control, sustaining or stopping notes at will. This chromatic resonance and equal timbre of tone are intrinsically absent from the six-string guitar and equally unachievable with any other 10-string guitar tuning than the one discovered by Yepes."

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