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| | #21 (permalink) |
| ss.org Regular Join Date: Jan 2006 Location: Ohio Posts: 73
Main Seven: Ibanez RG7CST Rig: PODxt + GuitarRig2.0 Thanked: 2
![]() | Great discussion! I use light strings 9-54 which is relatively loose, yet pick fairly aggressively, as I like to really beat up the strings when I play. I love the sound of really hearing the strings get abused and bent around. With lighter and looser strings you have more control over intonation, which can help or hurt your tone. You have to be a bit more careful how hard to press down on the frets as a note can go sharp. Properly controlled, this can give your sound more character. I'm somewhat from the old school of Van Halen style, but 7 string all the way. Eddie's trademark sound was in part using light strings tuned down (very loose and slinky) yet he picked very aggressively with his fan picking technique. Lots of attack and great intonation. my two cents.... www.BrainFeverMusic.com |
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| | #22 (permalink) |
| GeneticallyDifferent Join Date: Mar 2007 Location: Texas Posts: 3,823
Real Name: Tom Main Seven: Ibanez RG 7421 Rig: POD X3L & poweramp Thanked: 13
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | You have seen the light, friend! ![]() I generally use the thinnest strings I can that will still be powerful, present, and stable for whatever tuning I'm in. I hesitate to use anything thicker than .060". The next trick is learning to have a really light yet precise and fast picking hand. It takes getting used to, but when you get it down, it's great. Over time, I went from using huge strings and thick-ass picks to using thinner strings (usually 9s or 10s. I'm using a 10-59 set for drop Ab now) and .73-.80 picks. The way a .009-.052 set of DR Hi-Beams feels and sounds in standard tuning on a 25.5" scale 7 is just damn near perfect for me. ![]() "Tom, you're like 1 part a serious dork, and 2 parts the most awesome fucking guy ever." - ![]() guitargeek.com style rig diagram Pics of my gear Virtual studio tech testing ground Last.FM |
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| | #23 (permalink) | |
| All glory to... Join Date: Apr 2006 Location: The Electric City, NY Posts: 2,651
Real Name: Randy Main Seven: BCR N7 Virgin Rig: TSovC->2101->CROWN Thanked: 15
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Quote:
But this particular doesn't really do much of that kinda thing, and most of the guys here are much more respectful of people's preferences unlike some OTHER site *ahem Harm. Cent.* You need to give us a little more credit than that. [/offtopic]I'm still figuring out a good string size for my 7 string, because I'm new to owning 7's and I haven't had a guitar with a high string tuned to E or Eb in YEARS... | |
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| | #25 (permalink) |
| Blood Puke • Super Moderator • Join Date: Aug 2005 Location: Woodbridge, VA Posts: 21,223
Real Name: Dave Main Seven: KxK V7 - The Emo Killer Rig: Roadster/GMaj/4x12 Thanked: 262
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | At the end of the day, tone comes from your hands. SRV's early albums were cut with the less successful Marshall and Fender amps that everyone else avoided. Ty Tabor cut the first two King'x X albums by plugging into a solid state Gibson Lab series amp. The clean intro on "La Grange" was Billy Gibbons plugging a Strat straight into the board! Play what is the most comfortable to you. I don't use heavy strings for thicker tone or some juvenile "penis length contest",like one poster suggested. I play them because they feel the most comfortable to me, which keeps me from thinking about my playing. When I'm not thinking, I'm better able to get out of my own way and just play the guitar. Noodles Division: American Metal without the suck. sales@kxkguitars.com "Somewhere along the way, the Straight Talk Express lost some wheels..." --Barack Obama on John McCain |
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| | #26 (permalink) | |
| He loves you ![]() Join Date: Feb 2006 Location: Ohio Posts: 7,328
Main Seven: Schecter Jeff Loomis Sig Rig: Boss GT-8 Thanked: 145
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Quote:
For every law of tone I see posted or written somewhere I can always seem to find someone who has broken it successfully. The only proof he needed for the existance of God was music. Kurt Vonnegut Jr. Without music, life would be a mistake. Friedrich Nietzsche | |
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| | #27 (permalink) | |
| Pantysniffing zombie ![]() Join Date: Aug 2005 Location: Fredericton, New Brunswick, Canada Posts: 5,732
Main Seven: Ibanez RG7CT Rig: FramusDragon-Norbert Thanked: 37
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Quote:
![]() If someone wants to use thin strings I don't give a shit, and I kind of find your over generalization of this entire site as thick string elitists offensive. I use thick strings because that's what my picking hand likes, no because I came here and "saw the light". I get enough attack out of my thick ass strings, so I don't need thinner strings to get the attack I want, it's all personal preference. Lots of people here use thin strings, we're not ALL thick string people. | |
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| | #28 (permalink) | |
| Fear the Polo! • Super Moderator • Join Date: Aug 2004 Location: Somerville, MA Posts: 28,896
Real Name: Call me Ahab... Main Seven: 1991 Ibanez UV7PWH Main ERG: Sherman 5-string bass Rig: Mesa Recto-verb 50 Thanked: 137
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Quote:
Actually, if anything, the reverse is true. The "thin strings, optimal tension set" crew here is the one pushing everyone to drink the kool-aid and string up. ![]() "...and everything under the sun is in tune, but the sun is eclipsed by the moon." | |
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| | #29 (permalink) |
| Senior Member ![]() Join Date: Aug 2006 Location: BOSTON Posts: 2,665
Real Name: Nick Main Seven: Carvin DC727C/BK's + OFR Rig: JSX/Mesa Rectoverb Thanked: 37
![]() ![]() ![]() ![]() ![]() ![]() ![]() | I think it depends more on the actual guitar and the player. I had my Carvin set up with 9-42 + 56 for the first few months that I had it and I decided to try a 9-46 +60, and the tension on the low B is "better" and it sounds a little better. My Loomis is longer scale and I've left the 10-56 set on there that it came with and it feels fine as is. I have a pretty light touch "most of the time" . I found when playing stuff like Nevermores "Ambivalent" I find that the 60 on my Carvin lets me dig in a little better, where on the Loomis the space between frets itself is a little bigger and the 56 works just fine..............for me that is, you might find something different works better for you. Can I be the devil on your shoulder? ![]() |
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| | #30 (permalink) |
| Junk and harlot man. ![]() Join Date: Dec 2005 Location: North of sweden Posts: 6,675
Real Name: Jonathan Main Seven: Schecter Omen Extreme Main ERG: Orfea 10-string Rig: Behringer Thanked: 302
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | I used to have 64, but the action is a bit high on that so I tried a 60, but that's just to light for me. Productive Desecration Since 2004 |
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