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| | #11 (permalink) |
| Fear the Polo! • Super Moderator • Join Date: Aug 2004 Location: Somerville, MA Posts: 29,166
Real Name: Call me Ahab... Main Seven: 1991 Ibanez UV7PWH Main ERG: Sherman 5-string bass Rig: Mesa Recto-verb 50 Thanked: 140
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | FWIW, Ibanez's XL scale is 27", and NOT 27.5". "...and everything under the sun is in tune, but the sun is eclipsed by the moon." |
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| | #12 (permalink) |
| OOOOOHHHH! Join Date: Oct 2006 Location: Shits-Barre, Pa Posts: 190
Real Name: Um... Ed Main Seven: 97' UV7bk Rig: "Splawn Quickrod" Thanked: 3
![]() | I had a hard time tuning my M207 to A. The .066 gauge string barely fit the hole on the tuning peg, good luck with an .080 or .090! |
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| | #13 (permalink) | |
| He loves you ![]() Join Date: Feb 2006 Location: Ohio Posts: 7,569
Main Seven: Schecter Jeff Loomis Sig Rig: Boss GT-8 Thanked: 150
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Quote:
![]() The only proof he needed for the existance of God was music. Kurt Vonnegut Jr. Without music, life would be a mistake. Friedrich Nietzsche | |
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| | #14 (permalink) |
| Booze & Metal, Arrgh! • Super Moderator • Join Date: Apr 2005 Location: Toledo, Ohio. USA Posts: 16,010
Real Name: Bob Main Seven: 2001 Ibanez RG2027XVV Rig: GNX/Magicstomp Thanked: 83
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | You know me only too well. ![]() I do tune to A standard, occasionally, and while it's nice, I honestly just really, really prefer drop F, from a tonal, playing, and feel perspective. It can and does work, but I am playing through very nice equipment, and I'm sure that's a factor. http://www.wolf.org |
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| | #15 (permalink) |
| Manager / RHLC © Join Date: Sep 2006 Location: Argentina Posts: 5,502
Real Name: Frank Main Seven: Ibanez Universe MC Main ERG: Soon Skin custom RG8 Rig: VENu Twin/Carvin2x12 Thanked: 43
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | I for F# tuning use 0.75 and for the rest a 0.13. The 0.75 enter on the tunin peg. WTB Phonic Helix 24 mixer board Fuck US shipping only |
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| | #16 (permalink) |
| Fear the Polo! • Super Moderator • Join Date: Aug 2004 Location: Somerville, MA Posts: 29,166
Real Name: Call me Ahab... Main Seven: 1991 Ibanez UV7PWH Main ERG: Sherman 5-string bass Rig: Mesa Recto-verb 50 Thanked: 140
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | I've gone as low as E with the same guages Bob uses, and while it's perfectly playable, the feel's just looser than I prefer. The overexaggerated vibrato on single-note riffs, however, IS pretty damned cool. ![]() |
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| | #17 (permalink) | |
| Arrogant asshole Join Date: Sep 2005 Location: My house Posts: 3,074
Real Name: Nik Main Seven: 2005 Ibanez RG1527 w/Dima Rig: PodXTLive Thanked: 3
![]() | Quote:
I'm sure you know what you're talking about, I'm just in a dickish mood today, sorry Let me rephrase what I said: You can get it to work fine, but if you like tight strings, you'll have to get a gargantuan string gauge.I tuned my .59 to F# for that Orchestral song a while back, and while I didn't bother checking intonation since I was only using the low open-string F#, but it was waaay too lose for me. When a string is this loose, it has the nasty habit of pitch going up and then gradually falling down to correct pitch over the period of several seconds. I'm really curious Bob, have you managed to overcome this somehow, or do you just deal with it? I could use some advice since I plan on experimenting with such tunings later on. ---------------------- Visit my band, 'Emulsifier.' Unless you suck. You don't suck... do you? http://www.myspace.com/demx | |
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| | #18 (permalink) |
| Booze & Metal, Arrgh! • Super Moderator • Join Date: Apr 2005 Location: Toledo, Ohio. USA Posts: 16,010
Real Name: Bob Main Seven: 2001 Ibanez RG2027XVV Rig: GNX/Magicstomp Thanked: 83
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Nik.I get ya. I think for me, it's a couple of things. *Wise old fucker mode* 1. I find Elixir Nanowebs to be about the most firm, tight, and articulate strings out there. Really. They give a smoothness to feel, but hold tuning and articulate individual notes better than any string I've ever played. There's lots of crispness, and tons of initial attack, without sounding 'cold' or sterile. I think those matter a lot, to avoid issues like intonation, muddiness, or "warbling' like you mentioned. 2. Part of it is technique, I suppose. I've learned the feel of the strings, and how to attack them. But in all honestly, an Elixir .068, at F, is remarkably strong, firm, and stable. Doesn't feel loose or 'spaghetti'-like at all. I wish I could let you play my 2027 and see for yourself. For years, I was actually always like, "Should I be tuning so low? Everyone says it shouldn't work with this setup." And yet, every time I played my guitar, it sounded and felt terrific. I think it has to be experienced to really get it. I actually prefer the feel and sound of my guitar tuned to F, as opposed to A (whereas, I like my backup Squier 7, which uses different strings, tuned to A). |
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