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| Recording Studio Discussion on everything recording based, such as mixing, mastering, mics, monitors and other gear. |
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#1 |
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SS.org Regular
Join Date: Jan 2006
Location: Dallas, TX
Posts: 474
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BK pickup clip (S2.0/Podx3/Painkiller)
I got my new bridge pickup yesterday. A Bareknuckle Painkiller. This thing is siiiick. Here's a little thing I wrote today to make a clip.
SoundClick artist: KirkPetrucci - I lurb t3h p0lyrhythms! |
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__________________
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#2 |
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ss.org Regular
Join Date: Mar 2008
Location: Fredericton NB
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Wow! Sounds tighter than a mosquitos Anus. Now I need a 7 without the damn EMG pu routing.
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#3 |
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Giant Fridge Magnet
![]() Join Date: Dec 2006
Location: Paris, France.
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Very cool but it needs a bass track
Current rig : Agile Intrepid Pro with Lace Aluma Deathbar pickup -> Eleven Rack + TC G-Major -> ESI Near 5 Experience |
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#4 |
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SS.org Regular
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#5 |
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Chugga+Djent=Happy
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methinks you should add some mids to your rhythm tone...seems a bit too scooped and tinny. Those pups sound great though bro!
"I'm so metal I shit studs" My Music: Facebook, Soundclick, Soundcloud, Myspace Free EP: http://friendforafoe.bandcamp.com Want to learn Audio Production? Check out my BandHappy profile for more info: http://www.bandhappy.com/profile/ChrisPurvis Recording Shtuffs: Intel Core i7-2600 3.4GHz, 8GB DDR3 RAM, 2x 1TB HDD, Steinberg Cubase 5, the ENTIRE Toontrack library (we're fully endorsed!), Axe-FX II, Darkglass B7K, Line 6 Pod Farm 2, and much much more! |
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#6 |
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Ibanez 7s
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Location: Southern Maine
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Sounds brutal. Nice work!
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#7 |
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SENSUAL CAPTAIN
![]() Join Date: Apr 2006
Location: Austin, TX
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Holy crap, that's awesome!
Head of Agile Gestapo Line 6 XDS95-->Line 6 POD X3 Pro-->Matrix GT800FX-->Line 6 Spidervalve 4x12 cabinet https://www.facebook.com/thealphaandtheomegamusic |
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#8 |
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ss.org Regular
Join Date: Feb 2008
Location: Canada
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Those pups sound really clear and tight, I like it.
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#9 |
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shrent? shrent.
Join Date: Aug 2006
Location: Toronto, ON
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It, uh... sounds horrible?
Sorry, but imo the high end is really harsh and I can't hear anything except pick scrapes (you've possibly discovered the meaning of 'too much djent'). I'm sure the pickups are awesome, but this recording sure ain't... Up the mids and down the highs and make those things growl! |
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#10 |
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Nick // Axe Palace
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It sounds good, excellent playing. Tasteful riffage and leads, love it.
![]() Travis have you tried recording with impulses before? All you'd need is to connect your head to the recorder, load up the impulse file of your choice, mute the dry signal, and BOOM - serious professional mic'd up tone but direct. No cab necessary (if you have a dummy load, such as a Hot Plate). It would sound a lot better than the POD, which of course is very limiting. Otherwise, kickass bro
The Axe Palace <-- Dealer for: Ibanez, BKP, DiMarzio, ENGL, Diezel, Orange, Fryette, ESP, Caparison, PRS, Vigier, Dean , Parker, Flaxwood, G&L, Schecter USA and many more. NEW WEBSITE IS NOW LIVE: www.axepalace.com
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#11 |
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SS.org Regular
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Kronpox: Yeah, I wasn't too sure about this mix at allllll. These pickups sound way different than my EMG's, so I still don't have a good patch for them. This was just a patch I made really quick, which obviously didn't sound too good haha.
zimbloth: Nope I haven't tried impulses, but I've been interested in trying them! Unfortunately all of my gear is in back in Hamilton, so all that I have is the POD. I'm going to try to get a JSX for here at home, so I'll definitely look into impulses. Any good sound clips for an example on how it sounds? |
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#12 | |
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Nick // Axe Palace
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Quote:
The Axe Palace <-- Dealer for: Ibanez, BKP, DiMarzio, ENGL, Diezel, Orange, Fryette, ESP, Caparison, PRS, Vigier, Dean , Parker, Flaxwood, G&L, Schecter USA and many more. NEW WEBSITE IS NOW LIVE: www.axepalace.com
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#13 |
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SS.org Regular
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I took Kronpox's advice an remixed it. What do you guys think?
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#14 |
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SS.org Regular
Join Date: Mar 2007
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I never heard the old mix, so I can't compare, but the new mix is tiiight as hell.
Definitely sounds like a good pup
The Sun sets forever over Blackwater Park |
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#15 |
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ss.org Regular
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some EQ problems with the guitar. add a bass track and then EQ the guitars. it feels like something is missing in the sound
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#16 |
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SS.org Regular
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#17 |
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Join Date: Jan 2008
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awesome riffage! the tone could have some more meat in it though add some mids
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#18 |
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Nick // Axe Palace
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Try boosting the guitars around 200hz, with a High Pass Filter around 80-120hz. If you want more midrange snarl boost 1.5khz a bit. Bass-wise, try boosting around 100-120hz as well as ~400-600 (whatever corresponds to the punchiness of the bass, depends).
The Axe Palace <-- Dealer for: Ibanez, BKP, DiMarzio, ENGL, Diezel, Orange, Fryette, ESP, Caparison, PRS, Vigier, Dean , Parker, Flaxwood, G&L, Schecter USA and many more. NEW WEBSITE IS NOW LIVE: www.axepalace.com
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#19 |
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SS.org Regular
Join Date: Mar 2007
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I liked the track a lot! I'd listen to it anytime. What were the drum tracks done with? Nice job dude.
Agree about the highs- it's pretty harsh. I'd up the low mids only, as the high mids don't seem to really be as necessary in this case. Zimbloth, I'm curious why you'd run the HPF- what's your reasoning on that? Sounds to me like he could run a LPF set high to cut out some of the harshness. Edit: I can't read for shit. |
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#20 |
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ss.org Regular
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Now it sounds good. The first mix was really mean to my ears, couldn't listen to it at all. Mucho better.
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#21 | |
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Nick // Axe Palace
![]() Join Date: Aug 2005
Location: Boston
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Quote:
I usually set the HPF around 120khz and leave that area for bass and kicks. The fullness of guitar is really around 200-300hz anyways, the stuff below will get buried in the mix. It sounds tighter when you scoop out the guitar's fundamentals. The Axe Palace <-- Dealer for: Ibanez, BKP, DiMarzio, ENGL, Diezel, Orange, Fryette, ESP, Caparison, PRS, Vigier, Dean , Parker, Flaxwood, G&L, Schecter USA and many more. NEW WEBSITE IS NOW LIVE: www.axepalace.com
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#22 |
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SS.org Regular
Join Date: Mar 2007
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Hhhmm, interesting. I'll do some recordings and try that approach out. I'll mess around with it. I'm not sure if I agree with the idea of attenuating the low frequencies/fundamentals, but I suppose I won't know until I try! Now I'm curious though.
If it's not clear, I don't do a lot of heavy guitar recording! I mostly deal with instruments in the recording studio that don't plug in! EDIT: I'm just not thinking well tonight. |
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#23 | |
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Nick // Axe Palace
![]() Join Date: Aug 2005
Location: Boston
Posts: 16,664
Thanked: 179
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Quote:
The Axe Palace <-- Dealer for: Ibanez, BKP, DiMarzio, ENGL, Diezel, Orange, Fryette, ESP, Caparison, PRS, Vigier, Dean , Parker, Flaxwood, G&L, Schecter USA and many more. NEW WEBSITE IS NOW LIVE: www.axepalace.com
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#24 |
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Fully Ramblomatic
Join Date: Apr 2007
Location: Stavanger, Norway
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the low cut thing is good, unless you´re doing som major low tuning. meshuggah, for example, still have som nice low end in their guitar,s and the bass only adds the lowest frequencies. they also have the "fundamental" kick frequncy at like 45 Hz, which is pretty damn deep :P
-------------------------------------- What will metal be doing in ten years? What ever Meshuggah will be doing in two. -Anthony |
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#25 |
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Giant Fridge Magnet
![]() Join Date: Dec 2006
Location: Paris, France.
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The new mix kicks ass, now go get a real bass
Current rig : Agile Intrepid Pro with Lace Aluma Deathbar pickup -> Eleven Rack + TC G-Major -> ESI Near 5 Experience |
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