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| Recording Studio Discussion on everything recording based, such as mixing, mastering, mics, monitors and other gear. |
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#1 |
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Djunky
Join Date: Mar 2012
Location: Vancouver, BC, Canada
Posts: 1,998
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Dirt or no dirt on bass?
So do you guys put any overdrive or distortion on your bass when recording metal/prog metal kind of stuff? What about punk stuff? I plan to record all my bass through DI, so I thought I'd ask about when you guys use distortion, when you don't, and what you use to achieve it (pedals, amp, plugins etc.).
Thanks! |
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#3 |
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Djunky
Join Date: Mar 2012
Location: Vancouver, BC, Canada
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I'm on a Mac unfortunately so I can't use those plugins. Thanks though I'll look for similar plugins.
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#4 |
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Wololololo
Join Date: Nov 2010
Location: Falun, Sweden
Posts: 150
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http://dl.dropbox.com/u/1393938/MAC%.../LeCto.vst.zip <-- LeCto for Mac
EDIT: sorry that was VST, AU is more suitable for mac use: http://dl.dropbox.com/u/1393938/MAC%....component.zip |
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#5 |
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Djunky
Join Date: Mar 2012
Location: Vancouver, BC, Canada
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Thanks so much! So you use this plugin with bass instead of guitar and it works alright?
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#6 |
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Wololololo
Join Date: Nov 2010
Location: Falun, Sweden
Posts: 150
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I actually just use CLA Bass which is magic by just applying it to the bass track, recently started putting "Decapitator" behind it which is a VERY aggressive distortion plugin :P
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#7 |
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Djunky
Join Date: Mar 2012
Location: Vancouver, BC, Canada
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Cool, happen to have any mixes of it in action?
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#8 |
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Wololololo
Join Date: Nov 2010
Location: Falun, Sweden
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well, yea I do, but they're from a mix I did for a buddy's band and they haven't released the songs yet, I could send a link in pm though
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#9 | |
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Djunky
Join Date: Mar 2012
Location: Vancouver, BC, Canada
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Quote:
What's a good impulse or cab sim to use with the LeCto plugin for Mac? |
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#10 |
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Tard
Join Date: Nov 2008
Location: Launceston, Tasmania
Posts: 3,107
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I use both, I have a main punchy bass track, then a distorted one underneath for grit, then bus them both to a multi band comp and EQ.
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#11 |
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Wololololo
Join Date: Nov 2010
Location: Falun, Sweden
Posts: 150
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I've got no clue there, apparently LeCab isn't available for Mac
![]() I believe you could just download some impulse responses from wherever and use pace Designer(if you're using Logic) as a cab sim |
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#12 |
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Wololololo
Join Date: Nov 2010
Location: Falun, Sweden
Posts: 150
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but bass sounds pretty good just lined, no cab needed
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#13 |
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K K
Join Date: Feb 2011
Location: Greece
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yes definitely add some dirt to it and never mix bass alone, because when played alone it can sound pretty bad where in the mix it could sound great
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#14 |
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SS.org Regular
Join Date: Dec 2008
Location: California
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Personally I like a very clean bass sound, no dirt whatsoever. If it's a punk song I make it sound real bright and plucky, but the opposite for metal. I don't really like the sound of a distorted bass, and I feel like it fuzzes out the bottom end too much. Can't help you with the plug ins, though, since I don't really do it.
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#15 |
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SS.org Regular
Join Date: Sep 2007
Location: London
Posts: 1,610
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The distortion adds upper harmonics to bass guitars making the perceived volume louder.
Go have a look at Sound on Sound magazine's website for more uses of distortion for powerful mixes, if your interested. They had a nice feature on the loudness wars recently. Blend a DI, mic'd cab (or sim) and FX track (dirt, chorus, subharmonic enhancer etc.) together and apply parallel compression. Monitors and room are important when judging how much bass to include in a mix. Try to mix on a system your audience may listen to and aim for a good sound on that. ![]() TSE (The Serena Experiment) offer a bass sansamp VSTi for free. http://www.theserinaexperiment.net/f...c.php?f=9&t=68 A review TSE B.O.D, A Freeware Sansamp Bass Driver DI Emulation « Bedroom Producers Blog You can get a tubescreamer and ENGL 530 preamp for free there as well. |
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#16 |
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I'll Cut You...
Join Date: Nov 2009
Location: Ridgecrest, CA (The Windy City)
Posts: 1,512
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^ This is exactly how I do it as well.
Six's: Gibson Les Paul Studio ESP LTD EC-1000 - EMG 81/81 Fender Strat - Duncan Blackout/Mick Thompson Blackout, tricked out. Seven's: Ibanez RG7321 - Blaze/Jazz w/Blackouts Modular Preamp. ESP LTD M-107 tricked out. ERG's: ESP LTD VB-400 Viper Baritone - Blackout/EMG 85 Ibanez RGA8 - D Activator 8's Ibanez RG8 Amp stuff: Axe FX Ultra Mesa Oversized 4x12 Line 6 Vetta HD Framus Dragon 4x12 Basses: Fender Jazz Bass - EMG's Schecter Elite 4 Bass - EMG/BQC Control. |
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#17 |
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Tom Winspear
Join Date: Oct 2009
Location: Southend-on-Sea, Essex, U.K
Posts: 8,359
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Definitely best to only apply it to the high end. I've been reading the mixing book that was just posted here the other night and was pleased to read I am already using his bass distortion method with slightly different frequencies as a starter
-Sending the bass to 3 different tracks -Clean signal, low passed around 250Hz -Slightly dirty signal, high passed around 500Hz and low passed around 5k -Distorted signal, also high passed around 500Hz and low passed around 5k That way you get none of the mess in the low end as that's covered by the clean I highly recommend picking up that book! |
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#18 |
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has the groove.
![]() Join Date: Aug 2010
Location: Galashiels, Scotland
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I definitely like a bit of crunch in my bass tone, I think it really livens it up, especially when it's alongside heavy guitars. I use Guitar Rig 4 for my bass tone mainly because it's how I did it initially before using Lepou plugins and I liked it how it was so I didn't bother changing it.
However, seeing how much work people put into their bass sound has me slightly worried. I mean, all I do is record it with my bass preset, slap a high pass and Stillwell Rocket Compressor on it and I'm done
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#19 |
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SS.org Regular
Join Date: Dec 2008
Location: California
Posts: 6,354
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I really like that idea about keeping the lowest frequencies clean. Where the heck have I been? This is one of the many reasons I've never been the one to engineer anything my band or I have done, other than scratch tracks.
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#20 | ||
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Tom Winspear
Join Date: Oct 2009
Location: Southend-on-Sea, Essex, U.K
Posts: 8,359
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Quote:
Try it sometime You're definitely right that distorted low frequencies sounds like ass! Quote:
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#21 | |
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has the groove.
![]() Join Date: Aug 2010
Location: Galashiels, Scotland
Posts: 1,432
Thanked: 58
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Quote:
![]() Wish I had the money to spare to pick up Ermz's mixing book. It sounds so incredibly useful! |
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#22 |
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Tom Winspear
Join Date: Oct 2009
Location: Southend-on-Sea, Essex, U.K
Posts: 8,359
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It's the best £13 you'll ever spend - the bass section blew me away. I've never seen such detail haha.
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#23 |
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ss.org Regular
Join Date: Mar 2012
Location: Big Rapids, Michigan
Posts: 34
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Id say a little distortion can help it mix well with the guitars or be good for solos bass runs. but adding to much is a bad idea IMO. I have a bass friend and i had him help me design a bass tone on my pod x3... he went for a really clean ampeg sound. spanky and clean. he told me in deapth why he likes to keep it clean and it made sense.
so all in all im a guy who prefers his bass nice fat, clean, and spanky. theres really enough distrotion in the guitars and ecspecially if you have a screamer. it just helps to keep =the bass clean so you dont muck up the rest of the mix. |
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#24 |
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Djunky
Join Date: Mar 2012
Location: Vancouver, BC, Canada
Posts: 1,998
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Thanks guys, again this is all helping me quite a bit so far, so thank you!! I also bought Ermz's book and it's also helping loads. Whoohoo!
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#25 |
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SS.org Regular
Join Date: Sep 2007
Location: London
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@ BadStarWanderer
Well put contradiction of the general theme of the thread. ![]() I'm in the for bass distortion camp. What we're talking about is having a high pass filtered distortion on a duplicate of the original clean bass (DI/mic'd cab or simulated) and blending it with the original signal so that when the mix is played back on feeble speakers with no ability to reproduce bass there are some suitable/in context high tones being heard from the bass guitar. It also reinforces the guitars distorted low end. I really like pure clean bass tones, with "hidden" distortion for reinforcement. Having the ability to blend in a distorted bass tone allows you to have more bass in the final mix. What you hear is a clean bass tone, the distortion increases the note definition, as most people remove a lot of bass after 1.2khz. |
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