![]() |
sevenstring guitars | sevenstring registry | photo gallery | subscription | spy | |||||
|
|
|
||||||||||||
|
|
| Music Theory, Lessons & Techniques Discussions on Theory, member submitted lessons, practice regimens and everything else. |
![]() |
| LinkBack | Thread Tools | Display Modes |
|
|
#1 |
|
F'king ............
![]() Join Date: May 2005
Location: Melnibone (duh!)
Posts: 10,717
Thanked: 233
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Feedback Score: 0 reviews
|
Tunings
Something I've been experimenting with recently is using a seven string for the core riff, and then using a six in an open tuning, such as open Bsus2 (BF#BF#BC#) to create a complimentary part. Got the idea from Strapping Young Lad originally...
It's an amazing sound, especially for big layered chords, a la Queensryche, but the problem is, it means I may have to start looking for a guitar buddy if I want to do it live (although with the current state of my band, there's not much chance of that happenning any time soon...). Anyone else tried similar experiments? |
|
|
|
|
|
|
|
__________________
This advertising will not be shown in this way to registered members. Register your free account today and become a member on Sevenstring.org |
|
|
|
#2 |
|
Spastic Kitchen!
![]() Join Date: Dec 2005
Location: St. Johnsbury, VT USA
Posts: 7,561
Thanked: 15
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Feedback Score: 1 reviews
|
Doesn't Matthias IA Eklund use a Bsus2 tuning as well?
My seven string guitar stays in one of two tunings almost all of the time, but I use lots of six string guitar/bass alternate tunings. I tune my baritone six to G#D#A#F G#C# (fifths and a minor triad, low to high) If you really want to talk about tunings, I've got a 19-EDO tuned six string, and I hope to have a 19-EDO seven sometime soon. (couple months ?) [URL="http://sites.google.com/site/bostjanzupancickhereb/"[/URL] |
|
|
|
|
|
#3 |
|
F'king ............
![]() Join Date: May 2005
Location: Melnibone (duh!)
Posts: 10,717
Thanked: 233
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Feedback Score: 0 reviews
|
Mathias Ekhlund uses a couple of B tunings, but they're slightly different to the one I described. That baritone tuning's intriguing...I want to try it now, but my baritone's at home (currently tuned in fourths!).
![]() The 19 notes-per-octave thing's cool, but I already play a fretless six, so I can have as many notes per octave as I want!
|
|
|
|
|
|
#4 |
|
Spastic Kitchen!
![]() Join Date: Dec 2005
Location: St. Johnsbury, VT USA
Posts: 7,561
Thanked: 15
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Feedback Score: 1 reviews
|
I always thought the tuning for Led Zeppelin's "The Rain Song" was nifty: D G C G C D. A couple cool variations of this for seven string:
G D G C G C D - super low one- finger power chords, rich open chord voicings A D G C G C D - more like standard, but the open A is a little useless compared to the G Try these out on acoustic seven with heavy strings if you can ![]() oops this has kind of been discussed already: alternate tunings [URL="http://sites.google.com/site/bostjanzupancickhereb/"[/URL] Last edited by bostjan; 02-23-2006 at 04:40 PM. Reason: Automerged Doublepost |
|
|
|
|
|
#5 | |
|
5/4 > most
Join Date: Dec 2005
Location: Tinley Park, IL
Posts: 170
Thanked: 0
![]() Feedback Score: 0 reviews
|
Quote:
He also uses A#m13, which is the same with with the low C# down to A# - A# G# C# F# G# C# "I was always interested in the 'little black dots.' You know, the idea that you can take a piece of manuscript paper and write on it and have a whole orchestra at your beck and call - That's creativity." -Steve Vai |
|
|
|
|
|
|
#6 |
|
F'king ............
![]() Join Date: May 2005
Location: Melnibone (duh!)
Posts: 10,717
Thanked: 233
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Feedback Score: 0 reviews
|
I think he mainly uses those tunings for rhythm...all the leads are in standard or e flat tuning.
|
|
|
|
|
|
#7 | |
|
5/4 > most
Join Date: Dec 2005
Location: Tinley Park, IL
Posts: 170
Thanked: 0
![]() Feedback Score: 0 reviews
|
Quote:
"I was always interested in the 'little black dots.' You know, the idea that you can take a piece of manuscript paper and write on it and have a whole orchestra at your beck and call - That's creativity." -Steve Vai |
|
|
|
|
|
|
#8 |
|
F'king ............
![]() Join Date: May 2005
Location: Melnibone (duh!)
Posts: 10,717
Thanked: 233
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Feedback Score: 0 reviews
|
I can't imagine having all my lead patterns rearranged like that when I take a solo, although I'm aware Michael Manring does it all the time...eeek!
|
|
|
|
|
|
#9 |
|
Spastic Kitchen!
![]() Join Date: Dec 2005
Location: St. Johnsbury, VT USA
Posts: 7,561
Thanked: 15
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Feedback Score: 1 reviews
|
Does he play them live? He's never come to the d, but I can't blame him.
[URL="http://sites.google.com/site/bostjanzupancickhereb/"[/URL] |
|
|
|
![]() |
| Bookmarks |
| Thread Tools | |
| Display Modes | |
|
|