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| | #1 (permalink) |
| Is Selling Flowers!! Join Date: May 2006 Location: Sevenstring.org Posts: 1,634
Real Name: Nicholas Main Seven: I don't has yetz :'( Main ERG: Hello Kitty Squire Strat Rig: BP80->Drive CD 100B Thanked: 25
![]() ![]() ![]() ![]() ![]() | Anyone here like to imply harmonies or rythms that "aren't there." For example playing a rythm completley divorced from the prevailing one (superimposition of a differnet meter or playing the same meter divided and/or accented much differently), or playing melodies outlining different chords/scales taht are not present in the harmonic "backing", for example implying a chord progression over a static chord (or vamp), or creating bitonal or polytonal harmony. STARBUCK'S IST KRIEG!! "Stop eating chocolate, and go take pictures of your Squier with those monstrous strings. :P" - TomAwesome "I have had sex to Symphony X before. Not a good idea, I stopped to air guitar the solo!! : shred :" - stuh84 |
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| | #2 (permalink) |
| prototyping... ![]() Join Date: Dec 2005 Location: Vancouver, B.C., Canada Posts: 3,526
Real Name: Leo Pedersen Main Seven: Raven 7 - my design Main ERG: Ergo 10, Ergo 9, Stick 8 Rig: 2101LTD>TS100>2x1936 Thanked: 36
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Definitely with you on the polyrhythmic effects - use that quite a bit. Haven't tried any polytonal effects, but it interests me. I'll keep it in mind. Do you have any examples of stuff you've composed? |
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| | #4 (permalink) | |
| Is Selling Flowers!! Join Date: May 2006 Location: Sevenstring.org Posts: 1,634
Real Name: Nicholas Main Seven: I don't has yetz :'( Main ERG: Hello Kitty Squire Strat Rig: BP80->Drive CD 100B Thanked: 25
![]() ![]() ![]() ![]() ![]() | Quote:
Maybe tomorrow I'll record an example of myself playing this way. It is a good way to introduce outside notes, with some reason behind it. | |
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| | #5 (permalink) |
| Spastic Kitchen! ![]() Join Date: Dec 2005 Location: Indianapolis, IN Posts: 6,173
Main Seven: Oni Custom 7 Main ERG: Oni Custom 8 Rig: Mesa Dual Recto Thanked: 6
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Or polymelodies made by different instruments punctuating the song with different notes at different times to make a percieved melody by compilation of all instruments? Anyone ever done nonlinear meters before? I've only heard them in electronic music so far, have no idea how to use them on guitar. |
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| | #7 (permalink) |
| Spastic Kitchen! ![]() Join Date: Dec 2005 Location: Indianapolis, IN Posts: 6,173
Main Seven: Oni Custom 7 Main ERG: Oni Custom 8 Rig: Mesa Dual Recto Thanked: 6
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Either speeding up or slowing down the meter based on some sort of rule. Think of a rubber ball bouncing on the floor, the tap sounds speed up gradually, but as the bounces speed up, the rate of change increases. |
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| | #8 (permalink) |
| Carvin Zealot ![]() Join Date: Jul 2004 Location: Providence, RI Posts: 1,173
Real Name: Keith Main Seven: Carvin DC747 Rig: Mesa Nomad/PODxt Thanked: 14
![]() ![]() ![]() | I've never heard anything like that - sounds really interesting. Could you point me in the direction of some example tracks? |
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| | #9 (permalink) |
| Invading Your 7s Join Date: Nov 2007 Location: Toronto, ON, Canada Posts: 1,373
Real Name: Kris Rig: Mesa Stilletto Stack Thanked: 89
![]() ![]() ![]() ![]() | I imply different meters, simply as I LOVE Al Di Meola, John McLaughlin, and other fusion players. I enjoy implying tribalistic meters, or just odd divisions. Although my key playing is definitely limited. I would like to develop that. |
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| superimposition, rythm, progression, polytonaly, metric, meter, implied, harmony, chord, bitonal |
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