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#11 |
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Dirty Lurker
Posts: n/a
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thanks
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#12 |
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Senior Member
![]() Join Date: Mar 2007
Location: Seattle, WA
Posts: 2,277
Real Name: JP
Main Seven: RG 7620 (VK)
Thanked: 25
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Oh shit. I was just playing Guitar Hero 2, and I noticed that the fast picked solo in Jordan is done using the whole tone scale.
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#13 |
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Feral Buddha
Join Date: Sep 2007
Location: MD Eastern Shore
Posts: 354
Main Seven: Warmoth flat 7
Rig: Marshall, Boogie
Thanked: 9
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One neat thing about a really "disturbed" scale like whole tone is that it can often be resolved sideways - just because it's so annoying and unresolved in itself, you can ease on out to something else. For example, just play a simple ascending whole tone lick, then try ending it on a simple major chord - one half-step up. Your ear hears it as,
"Thank God that weird shit's over!" This gives you an obvious "doorway" to get from any major chord to any other unrelated major chord - you can resolve the whole tone tension to either the 1st, 3rd or 5th of a major chord up a half-step, so it's really versatile. With a little rhythmic context it can actually sound like you know what you're doing. ![]() |
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#14 |
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Needs NYC prog vox
Join Date: Dec 2006
Location: New York
Posts: 1,548
Real Name: Roman
Main Seven: RG8427F-BX
Thanked: 14
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phrygian dominant kicks ass. idk if it's a 'lesser-used scale' there are bands that seem to build not just songs, but albums around it (nile)
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| scales, phrygian major, phrygian dominant, modes, bartok, whole tone |
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