Really cool Greg Howe lesson in Guitar Player

distressed_romeo · 08-21-2007, 02:35 PM

No, I haven't seen that. Is there a video available?

MetalSir · 08-21-2007, 03:01 PM

Quote:

Originally Posted by distressed_romeo

No, I haven't seen that. Is there a video available?

i mind tha is an amatorial video.. but is really well done.. seach it on emule.. =)

distressed_romeo · 08-23-2007, 04:12 PM

A little pattern I've been playing with using the hybrid-picking/legato approach Greg explains in the original article. It's actually based on a Steve Morse lick, that he'd usually play with strict alternate picking, but I like the keyboard-like tone this approach produces.

MetalSir · 08-24-2007, 02:47 PM

ok guyZ look at this stuffs from Greg Howe Workshop (Russia 2004), tabbed by me..

he does it at 160bpm..

Gilbucci · 08-24-2007, 07:57 PM

Quote:

Originally Posted by distressed_romeo

A little pattern I've been playing with using the hybrid-picking/legato approach Greg explains in the original article. It's actually based on a Steve Morse lick, that he'd usually play with strict alternate picking, but I like the keyboard-like tone this approach produces.

Very cool lick! I've made a really cool alternate picking exercise out of that. I'll post it in a sec.

Edit: Enjoy!

distressed_romeo · 08-24-2007, 08:36 PM

Nice one! Works equally well with the hybrid/legato approach!

distressed_romeo · 08-24-2007, 11:18 PM

Here's another pattern I really like. This would be really good for adapting violin or keyboard pieces that feature big open-voiced arpeggios, such as Paganini's Caprice #1.

MetalSir · 08-25-2007, 06:39 PM

Quote:

Originally Posted by MetalSir

ok guyZ look at this stuffs from Greg Howe Workshop (Russia 2004), tabbed by me..

he does it at 160bpm..

mmmm.. i make an interesting variation on this thing.. play it in quartin adding the open string.. for example (tap on fret 8&9):

E-0-2-8-2---------
B---------0-3-9-3-

and so on.. forgive my rude tab.. XD

distressed_romeo · 08-26-2007, 10:19 AM

You can get an interesting modal sound using that tapping pattern by assigning a different arpeggio to each hand, for example, getting a Dorian sound by highlighting a minor arpeggio with the left hand, and a major arpeggio a fourth higher using the tapped notes.

MetalSir · 08-26-2007, 11:18 AM

Quote:

Originally Posted by distressed_romeo

You can get an interesting modal sound using that tapping pattern by assigning a different arpeggio to each hand, for example, getting a Dorian sound by highlighting a minor arpeggio with the left hand, and a major arpeggio a fourth higher using the tapped notes.

mmm.. something like this?

is the second x-ercise of..

08-21-2007, 02:35 PM	#11
distressed_romeo I R not Chthulu... Join Date: May 2005 Location: Albion Posts: 9,535 Real Name: I have many... Main Seven: C7 Hellraiser Main ERG: Aria bass tuned in fifths Rig: POD v2.0 Thanked: 198	No, I haven't seen that. Is there a video available? Dreaming in infared... http://farsideguitars.blogspot.com/

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08-23-2007, 04:12 PM	#13
distressed_romeo I R not Chthulu... Join Date: May 2005 Location: Albion Posts: 9,535 Real Name: I have many... Main Seven: C7 Hellraiser Main ERG: Aria bass tuned in fifths Rig: POD v2.0 Thanked: 198	A little pattern I've been playing with using the hybrid-picking/legato approach Greg explains in the original article. It's actually based on a Steve Morse lick, that he'd usually play with strict alternate picking, but I like the keyboard-like tone this approach produces.

08-24-2007, 02:47 PM	#14
MetalSir ESP Fanatic Join Date: Aug 2007 Location: Padova, Italy Posts: 138 Main Seven: ESP SC607 (with EMG81-7) Rig: Marshall Thanked: 9 / 1	ok guyZ look at this stuffs from Greg Howe Workshop (Russia 2004), tabbed by me.. he does it at 160bpm..

08-24-2007, 08:36 PM	#16
distressed_romeo I R not Chthulu... Join Date: May 2005 Location: Albion Posts: 9,535 Real Name: I have many... Main Seven: C7 Hellraiser Main ERG: Aria bass tuned in fifths Rig: POD v2.0 Thanked: 198	Nice one! Works equally well with the hybrid/legato approach!

08-24-2007, 11:18 PM	#17
distressed_romeo I R not Chthulu... Join Date: May 2005 Location: Albion Posts: 9,535 Real Name: I have many... Main Seven: C7 Hellraiser Main ERG: Aria bass tuned in fifths Rig: POD v2.0 Thanked: 198	Here's another pattern I really like. This would be really good for adapting violin or keyboard pieces that feature big open-voiced arpeggios, such as Paganini's Caprice #1.

08-26-2007, 10:19 AM	#19
distressed_romeo I R not Chthulu... Join Date: May 2005 Location: Albion Posts: 9,535 Real Name: I have many... Main Seven: C7 Hellraiser Main ERG: Aria bass tuned in fifths Rig: POD v2.0 Thanked: 198	You can get an interesting modal sound using that tapping pattern by assigning a different arpeggio to each hand, for example, getting a Dorian sound by highlighting a minor arpeggio with the left hand, and a major arpeggio a fourth higher using the tapped notes.


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Really cool Greg Howe lesson in Guitar Player