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Old 11-02-2006, 11:16 AM   #11
Pauly
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Woah that was in depth, and also triple post ftw! ^

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Old 11-02-2006, 11:34 PM   #12
DDDorian
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I have an old Guitar Player lesson in which Shawn talks about "one-note-per-string shredding". He mentions that he doesn't particularly like sweeping as the technique brings undue attention to itself and then goes through an example or two of how he might play sweep patterns without sweeping, using hybrid picking or subtle muting.

(for the record, I really don't like his tone at all, at least not on any of the recorded stuff I've heard)
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Old 11-02-2006, 11:51 PM   #13
includao
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Quote:
Originally Posted by DDDorian
I have an old Guitar Player lesson in which Shawn talks about "one-note-per-string shredding". He mentions that he doesn't particularly like sweeping as the technique brings undue attention to itself and then goes through an example or two of how he might play sweep patterns without sweeping, using hybrid picking or subtle muting.

(for the record, I really don't like his tone at all, at least not on any of the recorded stuff I've heard)
undue attention? tension? i dont get it.

are you going to transcribe what exactly he teachs/says like you have done before with others articles and lessons? Like in the DDDorian's Guitar Lesson/Column DDDirectory?

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Old 11-03-2006, 04:38 AM   #14
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Quote:
Originally Posted by DDDorian
(for the record, I really don't like his tone at all, at least not on any of the recorded stuff I've heard)
I'm not crazy about his tone on his solo album 'Powers of Ten', but I really like his tone on 'Temporal Analogues of Paradise'. I love pretty much everything I've heard of him playing with Jonas Hellborg(<- is that a metal name or what?)
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Old 11-03-2006, 06:40 AM   #15
Pauly
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Quote:
Originally Posted by includao
undue attention? tension? i dont get it.
What he means is that the actual 'sound' of a sweep itself is very identifiable, to the point where he feels it detracts from the music because you listen and go 'sweep picking!' rather than paying attention to the actual notes. Or something like that.
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Old 11-03-2006, 10:11 AM   #16
distressed_romeo
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distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.
Here's an example of the kind of lick DDDorian is talking about...

Incidentally, the ascending version of this arpeggio sounds pretty cool if you substitute the pluck from the middle finger with an upstroke of the pick, Al DiMeola style...

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Last edited by distressed_romeo; 04-19-2007 at 05:00 PM.
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Old 11-03-2006, 04:32 PM   #17
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Vinnie Moore does a lot of that as well, "sequencing" I believe is the term, makes playing arps much more "musical", he's got some great exercises
that focus on this technique on his first instructional video.
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Old 11-03-2006, 04:34 PM   #18
distressed_romeo
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distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.
Greg Howe and Michael Romeo do too, although they tend to tap rather than pick patterns like that.
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Old 11-04-2006, 01:57 AM   #19
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Thanks for the file example DD! You are one of the coolest guys from sevenstring.org
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Old 02-23-2008, 01:29 AM   #20
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I decided to bring this back from the dead because obviously Shawn had a phenomenal picking technique.

My thumb bends backwards like his, and I've been picking in a similar way to him for like 5 years. The only difference is that I don't hold the pick with the pad of i, and the tip of p, but rather the pads of both i and p. Weird.

Also, can anyone give insight into Lane's right hand muting techniques? It kind of looks like he uses his palm and sometimes the front thumb flesh of his hand. Did he use any anchoring?
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