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sevenstring guitars | sevenstring registry | photo gallery | |||
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#51 | |
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Dissident Aggressor
• Super Moderator •
Join Date: Jun 2004
Location: Florida
Posts: 16,419
Real Name: Legion
Main Seven: Loomis, C7HR, Giannini 7
Rig: Mesa Rectoverb 50
Thanked: 72
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I am a fan of older carcass,btw ... "Excised and anatomised, deviscerated disarray The torso diverged with pride Deftly amputated, evulsed limbs now defunct" \m/ Almighty asmodeus, existant of chaos Ominous be thy name Thy kingdom come on earth Lead me into all temptation of my flesh So I may trespass greatly into Thy ways by my desires ~Fornicatus Benefictus http://www.myspace.com/impurity Brutal Skullfucking Death Metal |
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#52 |
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Vince is X!!!
• Super Moderator •
Join Date: Jul 2004
Location: Tempe, AZ
Posts: 5,611
Real Name: Vince
Main Seven: Ibanez
Rig: Rocktron / Mesa
Thanked: 112
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Well, that's as close a guess as any
![]() What's with that time period? A lot of bands were trying to use terminology and language that was way over the heads of not just their audiences, but the bandmembers themselves (it seems). |
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#53 |
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RnB causes cancer
![]() Join Date: Apr 2005
Location: Brisbane, Queensland, Australia
Posts: 2,808
Real Name: Dan
Main Seven: Old UV
Main ERG: Oni 8 string
Rig: modded Laney VC50
Thanked: 19
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Late '80's, early '90s.
You're not familiar with Carcass, Vince? Purchase "Necrotocism : Descanting the Insalubrious" and "Heartwork" immediately. That's an order! |
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#54 | |
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Dissident Aggressor
• Super Moderator •
Join Date: Jun 2004
Location: Florida
Posts: 16,419
Real Name: Legion
Main Seven: Loomis, C7HR, Giannini 7
Rig: Mesa Rectoverb 50
Thanked: 72
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#55 | |
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Senior Member
![]() Join Date: Oct 2005
Location: Spokane, WA
Posts: 2,335
Thanked: 25
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#56 | |
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Ibanez 7s
![]() Join Date: Apr 2005
Location: Southern Maine
Posts: 18,987
Main Seven: '91 UV7PWH, '91 UV7BK
Rig: Fender Stage
Thanked: 139
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#57 |
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Senior Member
![]() Join Date: Apr 2005
Posts: 3,187
Main Seven: Schecter A-7
Thanked: 31
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Theory is great. My playing exploded, once I started to really understand what was going on. And, it really isn't all that complicated, when you have a good teacher.
I know all that stuff you mentioned, but I mainly practice what I use. The cool thing about guitar is that once you know one mode in every position, you know them all in every position. |
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#58 |
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Ibanez 7s
![]() Join Date: Apr 2005
Location: Southern Maine
Posts: 18,987
Main Seven: '91 UV7PWH, '91 UV7BK
Rig: Fender Stage
Thanked: 139
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My brother went to GIT back in '91 with his friend. Aside from hating Hollywood, he had fun out there. When he came back, he had shitloads of books and theory. I learned what I could from those books. It's good to know theory.
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#59 |
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Lovely Dita...
• Super Moderator •
Join Date: Aug 2004
Location: W. Seattle, WA
Posts: 8,011
Real Name: Shannon
Main Seven: Ibanez UV7PWH
Rig: Digitech GSP1101
Thanked: 88
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Over the course of 20 years of playing, I've been exposed to plenty of theory. I learned a lot from books, magazines, & college. Here's the clincher though...I didn't spend hours memorizing fingering patterns in every position or every name to every existing scale or chord. When I find some new theory, I'll have my 15-20 minutes of study with it because it's just something new & cool to play. After that, that snippet of info just NATURALLY becomes part of my bag of tricks & I'll use it when the time is right.
The important thing is EAR TRAINING!!! All of this theory doesn't mean a damn thing if you have to think about it too hard. Where's the fun in that? Eventually, you'll get to a point where you're fingers will just know where to go & how to get the desired sound. When I'm composing a solo, I don't say to myself "I'll start with an Eb harmonic minor & then modulate up to a C# Locrian with a raised 7th & a flatted 3rd! Woohoo! Watch me go!" This isn't rocket science we're talking about! It's MUSIC! It's expression! At this point, my ear tells me that this particular fingering pattern or chord shape works well with the rest of the music. Even if I flub a note, I know that making a 1/2 step correction will get me back on track 99.9% of the time. Just let your ears guide you. I think theory actually intimidates most musicians because it's taking something small & making it way bigger than it really is. There's only 12 notes to work with. I've seen books that say "This book has 20,000 scales & chords for guitar! Learn them all here!" My response to that is, "Who the fuck needs to learn 20,000 scales & chords? And not to mention, who's gonna remember all that?" So in essence, learn SOME theory, but don't get too caught up in it. Between your ears & muscle memory, the two will eventually take over & your fingers will know where to go. It's good to have the basics down, but in the end, it's all about just playing your guitar & having FUN. |
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#60 | |
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Fear the Polo!
![]() Join Date: Aug 2004
Location: Somerville, MA
Posts: 21,333
Real Name: Call me Ahab...
Main Seven: 1991 Ibanez UV7PWH
Main ERG: Sherman 5-string bass
Rig: Mesa Recto-verb 50
Thanked: 141
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"...and everything under the sun is in tune, but the sun is eclipsed by the moon."
http://www.metalguitarist.org |
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