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| Live Performance & Stage Sound Discussion for playing out and all things stage related.. Promote your band here as well. |
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#1 |
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ss.org Regular
Join Date: May 2011
Location: ON, Canada
Posts: 45
Thanked: 4
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Going to start gigging soon! Any advice?
Hey guys, my band and I have been working on material for a while now and we're almost done our first EP. Our goal is to get everything down and be gigging locally by Christmas time. Unfortunately, none of us have played shows before so we don't know what it's going to be like. I've already tried searching around the forum and haven't been able to find the answers to my questions. I've already read the thread "Don'ts of Live Performance" but is there any other advice that I should know about live performance? How does one go about finding gigs and how long are your sets when you first start? Are there any must have pieces of gear besides a tuner, distortion pedal and noise gate? Do you get paid at all in the start and how do you go about doing sound checks? All and any advice would help but these are the main questions we have been wondering. Thanks a lot !
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__________________
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#2 | |||
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Likes trem wankery.
• Super Moderator •
Join Date: Aug 2008
Location: Milwaukee, WI
Posts: 21,180
Thanked: 89
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Quote:
Sets are typically 20 to 45 minutes when you're just starting out. Get ready to be put on the very beginning or very end of shows, as you're going to have to prove yourselves before you get the good time slots. Be willing to to shorten and extend your set as needed. Quote:
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Also, as a new band your "sound checks" will pretty much consist of you rushing on stage, setting up as fast as you can, and then given a minute or two just to make sure your amp is working. It helps to have a friend in the audience who knows your sound to signal to you to adjust levels. Play your butt off, promote out the wazoo, and in a couple months things will get better. Pay your dues. Need help with setting up a trem? Need info on your Ibby? Live in Milwaukee? Please feel free to message me. New Rules. Read Them. |
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#3 |
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SS.org Regular
Join Date: Sep 2010
Location: Valparaiso, Chile
Posts: 938
Thanked: 10
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the soundcheck depends exclusively on the venue, yesterday I had the luck to do a Soundcheck of 5 minutes so we settled up and EQ'ued everything right, but other times I hadn't the oportunity to even see if the volume is right and I have to regulate it In-between songs, so be prepared for everything basicly
, check the venue a few days before so you know how much volume you are going to need, prepare your presets at home with the same volume (do it fast so your neighbors don't kill you )put picks everywhere, between strings, in your pockets, in your sockets, etc. bring allen keys, strings, a screwdriver, more picks, check your tuning everytime you can before the gig if you were told to just play ...I dunno, 5 songs, prepare a sixth one just in case ![]() speak about every detail with the owner of the venue, so you don't have problems later (money, time, and gear wise) be in the venue early and ask the guys from other bands if they need help with something read the ''don'ts of live performance'' again and most importanly, have fun ![]() that's all I can help you, I just started gigging about 5 months ago |
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#4 |
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SS.org Regular
Join Date: Aug 2009
Location: Missoula, MT
Posts: 489
Thanked: 6
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rock your ass off even if no one is into it!
Look at this one, asleeps in some bloods
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#5 |
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That Guy from Maine
Join Date: May 2011
Location: Kittyland Love Center
Posts: 1,136
Thanked: 26
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This. We've gotten more comments about our live show, even though we usually have about 6-12 people watching. People in other bands say they cant believe our live show, even though there was nobody there. I dont care if were playing for 2 or 2000 people, were going to give 100% every time, and that really shows.
Also, yeah, don't expect money. It should be a huge surprise when you get paid, to be honest. You'll also get kicked around a little bit by other, bigger bands, but don't let it get you down. It's just like hazing in a frat, or whatever; everybody gets theirs before they're really accepted. Good luck!
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#6 |
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SS.org Regular
Join Date: Sep 2010
Location: Valparaiso, Chile
Posts: 938
Thanked: 10
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^ happened to me yesterday, stupid 50-years-old-mainstream-acoustic-rock-dinousaurs....
that makes me think a bit....forget everything I said, just play the next songs ![]() -Dust in the wind -Wish you were Here -Hotel California -Here comes the Sun -Tears in Heaven -???? -PROFIT!! |
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#7 |
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CYBERnetic SYNergy
Join Date: Sep 2008
Location: Sunny Coast, Australia
Posts: 5,355
Thanked: 33
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Warm up.
Warm up. Warm up. Look like you're enjoying the show, interact with the crowd, tune as much as possible, know your songs inside and out. Warm up. Make a rule where, who ever messes up gets punched in the face. That is how I run my solo project. - Floppystrings Search this site by going to Google and adding site:sevenstring.org after your search word! |
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#8 |
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Wus Good
Join Date: May 2010
Location: Long Island, NY
Posts: 850
Thanked: 6 / 1
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Pay the promoter, set up quick, perform to the best of your capabilities, thank people for coming and introduce the next band coming up (plz remember the band's name), pack away gear quickly, socialize, network, etc.
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#9 |
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Likes trem wankery.
• Super Moderator •
Join Date: Aug 2008
Location: Milwaukee, WI
Posts: 21,180
Thanked: 89
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I would never ever pay to be put on a show. It's one thing to play for free, which is 100% fine, another to play at a loss. I'd much rather forfeit presales. I don't feel it's the band's job to compensate the promoter outside of bringing people into the show.
Need help with setting up a trem? Need info on your Ibby? Live in Milwaukee? Please feel free to message me. New Rules. Read Them. |
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#10 |
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Wus Good
Join Date: May 2010
Location: Long Island, NY
Posts: 850
Thanked: 6 / 1
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Sorry, that's what I was trying to say.
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#11 |
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Likes trem wankery.
• Super Moderator •
Join Date: Aug 2008
Location: Milwaukee, WI
Posts: 21,180
Thanked: 89
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Which brings up the point, just because you're in a new band on the scene and you have to pay your dues doesn't mean you need to take unwarranted crap from other bands, promoters, or venue owners.
If you think you're being taken advantage of, being given the run around, or feel you're being put in a compromising situation, just walk. There will always be more shows. Need help with setting up a trem? Need info on your Ibby? Live in Milwaukee? Please feel free to message me. New Rules. Read Them. |
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#12 | |||
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ss.org Regular
Join Date: Aug 2010
Location: Long Island
Posts: 127
Thanked: 6 / 1
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Quote:
Quote:
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as far as anything else you might need to know: -warm up before the show, this goes for everyone. -try to stay the whole show, make friends with some bands that you think are cool dudes and/or have a similar sound to you -always make sure to say goodbye and thank you to whoever booked the show, and whoever you met that you might be beneficial to you in the future -try to come off as professional on stage, but also come off as open enough for people to come up to you and talk after your set -try to make set up and break down time as short as you can. be as prepared as you can before hitting the stage, and try to practice breaking down and putting up your rig at home to cut back time. also if you're set up and you see someone else is still setting up, try to check your stuff really quickly and make sure it works, but then help out anyone who needs it. don't sit there playing your instrument and waiting for everyone else. the guys in your band will get annoyed, and so will the crowd. -you said you guys are coming out with an EP soon. when you have it physically (this goes for any other merch you might have) make sure your vocalist announces that you've got stuff for sale and where exactly the merch table is, sometimes people don't notice. -tell people you've got a facebook (if you don't have one, get one), print up a bunch of papers with the URL on it and hand them out to people who are interested. -always bring extra stuff: back up guitar, back up mic stand (believe it or not, some venues don't have one), back up picks, sticks (if you're a drummer), etc. prepare for the worst. I can't tell you how lame it is to have a string break and no back up guitar on you. it sucks, a lot. -if you're having a bad set (it happens, no matter how much you practice) try to keep a calm face and don't make it come off that you guys are off that night. (my band needs to work on this a bit). most of the time people will be hearing your stuff for the first time. they don't know exactly what it sounds like, so you're going to hear all the .... ups, but chances are they aren't going to even notice. stay calm, no matter how bad you might think it gets. -you said you have an EP coming out that you might wanna sell at shows. -lastly, have fun. shows are fun, they're really awesome. you meet new people, hear new music, hang out and have a good time. enjoy it, it's rad ![]() hope this helped, hope you have a ton of fun gigging, and I hope you make something out of it! |
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#13 |
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Join Date: Apr 2008
Location: Seoul, South Korea
Posts: 3,535
Thanked: 26
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I cant stress this enough:
Keep your rig simple. I promise you no one is going to give a shit if you have to change guitars for each song, or if you have a ridiculously elaborate set up. They will, on the other hand, give a shit if you spend 35 mins setting up and cut into the next bands time. Have your amp, have your board (just one power plug to get it going hopefully), have you guitars + spare. personally I have one guitar plus a spare. In another band I would have 2 guitars in two diff tunings and one spare that could be tuned quickly to whatever i need it for. Your spares. Some people on here have 35 different tunings and feel the need to bring a guitar for each on and then a spare. Dont do this. Its fine to have different tunings in a set, just dont be crazy about it, and organize your set to maximize as few guitar changes as possible, and if you do put them in natural spots where youd take a short breather and talk to the crowd. dont be a burden to others. There are bands i refuse to work with because its a shitty attitude and disrespectful. dont be a diva. dont think you are better than everyone else. If the other band sucks, shake their hand anyway, say "good show", buy em a beer, they may not suck for long. Talk to people face to face, learn names, get numbers, network, be amicable, dont leave after your set, get there early, be helpful, give your cd away to the other bands, trade merch etc.. ad nauseum. Be genuine. There is nothing more irritating than watching some putz sniff his own shit and tell you its perfume. all of this is common sense, yet so many bands have no ....ing clue. |
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#14 |
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ss.org Regular
Join Date: May 2011
Location: ON, Canada
Posts: 45
Thanked: 4
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Wow, thanks a lot for all the responses guys, they're greatly appreciated!
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#15 |
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Djentiver Gustafsson
Join Date: Jan 2011
Location: Sweden
Posts: 296
Thanked: 8
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If you're on a time limit its always good to use a timer/phone/whatever at the rehearsal to see how long your setlist is, imagine it playing live when you are interacting with the crowd and so on between songs to see if you're keeping the time.
Otherwise, just slay the stage! Don't get too excited tho haha, I had a bad habit of doing that on my first shows. Got all shaky Gear: Ibanez RG7621 LTD Deluxe H-1001. Axe-Fx Ultra Rocktron Velocity 300 Line 6 Spider III 15w Pod XT Live |
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#16 |
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Internet tough guy
Join Date: Apr 2009
Location: STL MO
Posts: 540
Thanked: 4
![]() Feedback Score: 3 reviews
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Buy the soundguy a drink.
"Sticking feathers up your butt does not make you a chicken" |
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#17 |
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Selling the extras!
Join Date: Jul 2010
Location: Lexington, SC
Posts: 4,040
Thanked: 38
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Always a good idea for inspiring some goodwill, but keep it to one or two; a drunk soundguy is worse than a drunk drummer could ever be in my experience.
Currently in progress of replacing every guitar I have...piece by piece - "Unfortunately, our ability for rational thinking is inversely proportionate to our desire to stick our dicks into orifices." - pink freud - "I don't have all the answers to everything, I'm not God, when I get girls pregnant they aren't virgins anymore." - scottro202 |
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#18 |
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Internet tough guy
Join Date: Apr 2009
Location: STL MO
Posts: 540
Thanked: 4
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lol.. thats why I said "a drink". "Buy him drinks".. no.. drunk soundguys.. ouch!
"Sticking feathers up your butt does not make you a chicken" |
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#19 |
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ss.org Noob
Join Date: Oct 2011
Location: northville,ny
Posts: 128
Thanked: 3
![]() Feedback Score: 1 reviews
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#20 |
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That Guy from Maine
Join Date: May 2011
Location: Kittyland Love Center
Posts: 1,136
Thanked: 26
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#21 |
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SS.org Regular
Join Date: Oct 2010
Location: IL
Posts: 163
Thanked: 2 / 1
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I'm not sure if this has been covered but I've noticed in the shows that I have played to always interact with the crowd and not to be awkward between songs. BUT! Don't go up there acting like a hard ass and requesting a wall of death when there 2 people moving at the show. Just be yourself up there!
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#22 |
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Carvinite
Join Date: Dec 2009
Location: Newtown, PA
Posts: 339
Thanked: 20
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best piece of advice that has stuck with me is that no matter how prepared you are, something will always go wrong. Don't trick yourself into thinking otherwise.
for some OC: have fun with it and let the music coarse through you when your on stage |
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#23 |
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Pardon my french
Join Date: Dec 2009
Location: Paris, France
Posts: 4,090
Thanked: 42
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-Because it happened to me once and it was awful: have some painkillers ready and take them if you have the slightest beginning of a headache. Playing with a headache is awful, and likely it's awful for the audience too.
-Don't finish your show with a cover. The cover will be all the people will remember. And most importantly, don't forget to have fun. Except if you play black metal, in that case looking depressive is ok.
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#24 |
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Internet tough guy
Join Date: Apr 2009
Location: STL MO
Posts: 540
Thanked: 4
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oh yeah.. a must if going corded.. wrap your instrument cord thru your strap so u dont step on it and pull it out of the guitar.
"Sticking feathers up your butt does not make you a chicken" |
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#25 |
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ss.org Regular
Join Date: Dec 2011
Location: Sheffield
Posts: 18
Thanked: 2 / 1
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It's usually a good idea to respect and be polite to the venue's crew. It means they'll be more inclined to go the extra mile to give you a better sound. POliteness to the other bands is also a good idea, if perhaps you want to land some more gigs supporting them
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