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| | #11 (permalink) |
| Sumerian 7string Sorcery ![]() Join Date: May 2005 Location: The Eleven-day Empire Posts: 9,476
Real Name: I have many... Main Seven: C7 Hellraiser/LTD M207 Main ERG: Aria bass tuned in fifths Rig: Sombras Que Corta Thanked: 170
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | It'll be interesting to hear what you make of it... I'm always interested in new perspectives on old topics... 'If one octave isn't interesting then who the hell cares about the others?!' Diamanda Galas http://farsideguitars.blogspot.com/ |
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| | #14 (permalink) |
| 8-0ctaves Join Date: Feb 2006 Location: CA&HI Posts: 322
Main Seven: 1987 Tobias 7-string bass & 8 octave Adler 12 Rig: Basson B310SC Thanked: 6
![]() ![]() ![]() | The "bottom line" is there are 3 chord funtions and 9 chord families. Each chord family has scale sources that are the horizontal versions of the vertical stacks that make each chord family. The Lydian concept is basically using the IV chord as the I chord. A description"The Lydian Scale was not chosen as the primary scale for this system of music theory because it sounds nice or has some subjective or historical significance. Since the interval of a fifth is the building block of tonal gravity, a seven-tone scale created by successive fifths establishes the most vertically unified harmonic order whereby the gravity falls down each fifth back to the singular Lydian tonic. When seven ascending consecutive fifths (i.e. – C, G, D, A, E, B, F#) are arranged within one single octave, the result is the Lydian Scale." |
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| | #15 (permalink) |
| Sumerian 7string Sorcery ![]() Join Date: May 2005 Location: The Eleven-day Empire Posts: 9,476
Real Name: I have many... Main Seven: C7 Hellraiser/LTD M207 Main ERG: Aria bass tuned in fifths Rig: Sombras Que Corta Thanked: 170
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Hmmmm...It sounds like it's just different as opposed to being an improvement upon 'conventional' tonal thinking. |
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