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Old 03-16-2007, 08:14 AM   #11 (permalink)
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Mikey D is just really niceMikey D is just really nice
Playing standards well is a lifetimes work and a very enjoyable one at that.
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Old 03-16-2007, 12:52 PM   #12 (permalink)
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I gotta learn a standard for an audition in 2 weeks.. and I dont know where to start =[ I was thinking like My Favorite things or All blues, and I know them like the main parts, the thing that makes me scared is the improvising part of them.. For an audition, do they want to see like just the main part of the song? or improvised crap over it? and I wonder how long is acceptable for improvising over it.. Hopefully not like 15 minutes like most renditions of jazz standards lol
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Old 03-16-2007, 01:04 PM   #13 (permalink)
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distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.
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Originally Posted by NickCormier View Post
I gotta learn a standard for an audition in 2 weeks.. and I dont know where to start =[ I was thinking like My Favorite things or All blues, and I know them like the main parts, the thing that makes me scared is the improvising part of them.. For an audition, do they want to see like just the main part of the song? or improvised crap over it? and I wonder how long is acceptable for improvising over it.. Hopefully not like 15 minutes like most renditions of jazz standards lol
Just one or two passes through the changes should be fine. Try breaking the chord down into smaller sequences, like viewing them as a series of V-Is, II-V-Is or whatever in different keys, and it should become more manageable.

'If one octave isn't interesting then who the hell cares about the others?!' Diamanda Galas

http://farsideguitars.blogspot.com/
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