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| - Discussions on all things unplugged, as well as classical and jazz. |
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#1 |
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ss.org Regular
Join Date: Feb 2006
Location: Argentina
Posts: 580
Real Name: Luan
Main Seven: Ibanez rg1527
Thanked: 17
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Spain (song) rules man
I'm working on it, what a great song!
It is somewhat easy to follow the changes, just need some work. What scales do you use for the C#7, the F#7 and the B7? For the F#7 I noticed that dominant phrygian sounds really good for the song idea. Any good version to check? Thanks! |
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#2 |
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Canada >>> You
Join Date: Apr 2006
Location: 1
Posts: 2,442
Thanked: 27
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Im not great at choosing scales for improvising but uhh.. The "theory" approach would be.. Using Mixo modes on the dominant chords (C#7, etc).. But really, im sure you could use anything as long as you have resolve to the tonal centers.
Phrygian dominant sounds good over almost anything ;o |
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#3 |
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ss.org Regular
Join Date: Feb 2006
Location: Argentina
Posts: 580
Real Name: Luan
Main Seven: Ibanez rg1527
Thanked: 17
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I know that, but straight mixo over that chords sound a little lame, maybe on 2 sounds good, will have to try and see (or hear?)
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#4 |
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Canada >>> You
Join Date: Apr 2006
Location: 1
Posts: 2,442
Thanked: 27
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well.. hmm. I forget the changes..
Again, without picking up my guitar and trying, Dorian might sound best, as it has the b3 and b7, but still has the natural 6, meaning it has alot of similar context to a straight mixo, but with that minor 3rd feel in it. |
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#5 |
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ss.org Regular
Join Date: Feb 2006
Location: Argentina
Posts: 580
Real Name: Luan
Main Seven: Ibanez rg1527
Thanked: 17
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Never heard of that!
Dorian over dominant chord? is that legal? ![]() |
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#6 |
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Canada >>> You
Join Date: Apr 2006
Location: 1
Posts: 2,442
Thanked: 27
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well in theory, there will be a conflict of major 3rd in the chord, vs minor 3rd in the scale, but you can take advantage of that to make it sound more "interesting" as long as you dont land on the minor 3rd abit too often
as with any chromatic note though.. just dont sit on it lol But im assuming a Dorian run wouldnt sound bad over Dom chords, as everything is the same except that minor 3rd. |
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#7 |
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Woopah!
![]() Join Date: Nov 2006
Location: Brighton, UK
Posts: 1,055
Real Name: Lee
Main Seven: RG2027
Rig: JMP-1, G-Major, EL34
Thanked: 42
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Which version have you been checking out? There are almost hundreds of versions of it. I think Chick might play it with almost everyone he plays with.
It's such a good piece. Check out the mad version with Rubalcaba, some absolutely insane improv in that.
"You might as well be suckin' Wes Borland's no-talent dick if you play with any more than six strings on your fucking guitar." - A Blabbermouth genius
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#8 |
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:ubersquint:
Join Date: Sep 2006
Location: USA
Posts: 3,342
Real Name: AntonioPetrucci
Main Seven: RG1527RB
Main ERG: I can has ERG?
Rig: GNX3000
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Awesome song- I played a rendition of it in the Jazz Band my second year of middle school.
![]() You've got your head down You've got your eyes closed You look so pitiful now Your body encrusted with ash Breath heavy with toxins Hair singed and matted Clothes frayed and burnt You are left with nothing |
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#9 |
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Fretless - Freedom
Join Date: Nov 2007
Location: Toronto, ON, Canada
Posts: 1,468
Real Name: Kris
Main ERG: Kowa Fretless
Rig: Fender Vibrolux
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Version with Di Meola and Birelli and Coryell is amazing. So is Stochello Rosenburgs.
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#10 |
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ss.org Regular
Join Date: Feb 2006
Location: Argentina
Posts: 580
Real Name: Luan
Main Seven: Ibanez rg1527
Thanked: 17
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Mclaughlin and Paco de Lucia version is very cool.
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