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| ss.org Regular Join Date: Dec 2006 Location: Moncton, New Brunswick, Canada Posts: 979
Main Seven: (6) Steinberger GM-4T Rig: Line 6 PODxt Thanked: 57
![]() ![]() ![]() ![]() ![]() ![]() ![]() | What was Holdsworth on the Secrets album? Because this tone is amazing! What amps, guitars, etc. did he use? Edit: Just realized how bad the grammar in the title is that's supposed to be "What was Holdsworth using on the Secrets album?" |
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| VEGANSTRAIGHTEDGE Join Date: Dec 2004 Location: Chicago IL. Posts: 675
Main Seven: LTD MH307/KxK order 11/06 Main ERG: 1st Oni 8/VF Mito 7 bass Rig: V-Amp > Crate TD-50C Thanked: 7
![]() ![]() ![]() ![]() | What allan said in 1989: "One of the other things I'd been perfecting over time was my little load box, the Juice Extractor. When I combine that with certain miking methods, it worked great. On this track, I ran a Mark III Boogie with the Juice Extractor into the Boogie 295 [power amp], and recorded if with a Neumann TLM17D microphone with a James Demeter mike preamp. I used that mike setup for all the guitar solos." "To create the tones customized for the specific tracks on Secrets, Allan cross-matched ideas, ingenuity and his inventions until he struck on a tasteful variety. Using his Steinberger GM2T, loaded with two custom Seymour Duncan Allan Holdsworth humbuckers and refretted by luthier Bill DeLap with Dunlop 6000 wire, Allan created "City Nights" by running a Boogie Mark III head through the Extractor prototype, into an equalizer, and back into a Boogie Simulclass 295 power amp, using only one side of the unit to drive his speaker box. There, the signal from a Celestion KS speaker was brought to tape via a Neumann TLM 170 microphone. The inline processing for his lead tone included an ADA Stereo Tapped Delay, two ADA mono delay lines and a Lexicon PCM60. Formulas differ on each track; there are few constants. "I used that power amp and the speaker box on all the tracks, with different variables," Allan reports. "On 'Peril Premonition,' for instance, I substituted a Boogie Quad preamp, and used a combination of a Shure SM58 and an AKG 460 on the same Celestion I'm very flexible, because it's all a big experiment to me. If I thought that I'd gotten a really good guitar tone and just left the mike and everything in the same position and used it, I know I'd die after-wards. I wanted to get back to using tube amps. Since I started using the Juice Extractor with the Boogies, I've found that I can get more flexible variations of tone than ever before. I find myself customizing the amp from the outside." |
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| Sumerian 7string Sorcery ![]() Join Date: May 2005 Location: The Eleven-day Empire Posts: 9,336
Real Name: I have many... Main Seven: C7 Hellraiser/LTD M207 Main ERG: Aria bass tuned in fifths Rig: Sombras Que Corta Thanked: 158
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Rep for GHA. He was using the Synthaxe pretty heavily on this album as well, although I don't know what he was using in terms of sound modules and amplification for it. I love this album...easily Holdsworth's best. ![]() 'If one octave isn't interesting then who the hell cares about the others?!' Diamanda Galas http://farsideguitars.blogspot.com/ |
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| PINK!! > b&w > color Join Date: May 2006 Location: IN UR INTERNETZ, WATCHIN' UR PRON!! Posts: 1,200
Real Name: Nicholas Main Seven: !! ĽOUR M1ND !! Main ERG: Hello Kitty Squire Strat Rig: BP80->Drive CD 100B Thanked: 18
![]() ![]() ![]() ![]() ![]() | He was an asparagus!! "ah man, he's got the orbs of energy, he wins : lol :" - D-EJ915 |
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