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#1 |
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Banned
Join Date: Mar 2012
Location: Kingsland,TX
Posts: 141
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I saw a Ibanez 30 fret guitar not long ago and I got an idea for extreme soloing for it
, I'm not much for super high key soloing but I had the idea of Tuning one to Raised A tuning (basically E standard minus the low E and a High A440 string)and already on a 24 fret guitar its extremely high, a perfect 4th higher than normal, sounds not much but really it is.(I know so cause I tune down a P4 from Standard to B) But I wonder if any extreme or Super Power metal bands or any band would do this? You'd get some seriously insane solos into the stratosphere lol. ![]()
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__________________
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#2 |
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/)'3'(\
Join Date: Nov 2008
Location: Chimaera SD
Posts: 6,422
Thanked: 195
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Please use a different color font. That blue is hard to read.
Ride the wings of death! "Seriously... You DO NOT headbang with your knees" Murmel
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#3 |
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Melodic Mamma Jamma
Join Date: Feb 2011
Location: Buffalo, NY
Posts: 1,164
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That is one weird looking guitar. Thats probably how the Uli Jon Roth guitar started then they realized that the horn was so thin they might as well knock it off
![]() I dont personally desire to go any higher than the 24th fret on high E. I think it would probably sound pretty shrill that high up.
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#4 |
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Banned
Join Date: Mar 2012
Location: Kingsland,TX
Posts: 141
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Ooops sorry dude, my bad
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#5 |
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Tom Winspear
Join Date: Oct 2009
Location: Southend-on-Sea, Essex, U.K
Posts: 8,359
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There's plenty of talk about high A tuning here
It doesn't work without Octave4Plus strings on a normal scale guitar, though. I definitely wouldn't fancy a 6 string for it - no low E would be fine for solos but I wouldn't like it for riffing at all. I'm planning to have a short scale 7 string made with a high A and a trem for 'Extreme soloing' haha
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#6 |
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Banned
Join Date: Mar 2012
Location: Kingsland,TX
Posts: 141
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My dad told me most Glam metal bands play in A even though tuned to E >.> , A sounds interesting to me.
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#7 |
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Tom Winspear
Join Date: Oct 2009
Location: Southend-on-Sea, Essex, U.K
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Quite possible - I can think of a few oldies I've covered that are in A.
However key of the song has nothing to do with tuning - I'd just feel weird not being able to lower than A regardless of what key I'm playing in ![]() Can give it a try but you'll be needing O4P strings or a guitar with 23" scale length or so. Or you can just tune to G and Capo
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#8 |
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Banned
Join Date: Mar 2012
Location: Kingsland,TX
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Yeah , I thought it was true
![]() You got a point too, even if the high A string existed long ago, not many would have just strictly used it, they would miss the Low E |
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#9 |
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Banned
Join Date: Mar 2012
Location: Kingsland,TX
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Really this is food for thought, I always think of odd ideas like this.
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#10 |
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SS.org Regular
Join Date: Jan 2009
Location: Bloomsburg, PA
Posts: 7,412
Thanked: 63
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#11 |
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Banned
Join Date: Mar 2012
Location: Kingsland,TX
Posts: 141
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Playing in A for Riffing would be fun for me and I already do so with Dropped A on my Guitar, more for contrasting, Im sure it would work fine. Octave4plus A440 is a definite need for it , I don't know how well it would do with the trem >.> but I seen the high string on many different types of guitars. 7, 8 even a 11 string guitar that had 43 frets I believe O.o, and the scale had to be past 30" lol I'll look for the youtube video it was on later.
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#12 | |
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Sir Paul of the Mosh
![]() Join Date: Apr 2007
Location: Manchester, UK
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Quote:
Also, use punctuation and grammar!
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#13 |
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sippin' beer
Join Date: May 2012
Location: Finland
Posts: 1,561
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Raised A-tuning? I tuned my 22 fret Telecaster to G-standard and even that made my ears bleed.
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#14 |
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Giver of the Likes
Join Date: Feb 2011
Location: Canby, MN
Posts: 1,502
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IMO, anything higher than the 24th fret in E standard on the high E would give me a massive headache.
PUSSIES DON'T SIGN NEG REP.
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#15 |
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SS.org Regular
Join Date: Jan 2009
Location: Bloomsburg, PA
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ss.org, where all extended range is good - as long as it's in bass territory. Those violins can keep their high notes, get off my lawn!
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#16 |
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Banned
Join Date: Mar 2012
Location: Kingsland,TX
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I don't see anything wrong with what I wrote, its just a general quick comment, maybe slow down and read it, then again I did write that at 2am so eh. Seems ok with me. It could be worse.
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#17 |
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SS.org Regular
Join Date: Mar 2012
Location: Seattle, WA
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or you could just use a pedal.... I agree with the massive headache as well. "Marooned" is one of my favorite solos but the super high notes still rustle my jimmies sometimes when I listen to it. I think maybe if you could work out a good tone specifically for playing notes that high up you could do some cool stuff though. There are definitley other instruments that can play notes that high and not sound annoying as .... so im sure tweaking tone and effects you could do some cool stuff. Definitely slower playing would be easier to pull off and have it sound good. The problem with shredding that high up and staying up there is its too many high notes and it would sound annoying really easily if you threw in only a few high notes though or did string skipping it would be cool.
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#18 | |
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Banned
Join Date: Mar 2012
Location: Kingsland,TX
Posts: 141
Thanked: 3
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Clear up
Quote:
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#19 |
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Banned
Join Date: Mar 2012
Location: Kingsland,TX
Posts: 141
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Clear up
<deleted>
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#20 |
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SS.org Regular
Join Date: Jun 2012
Location: Atlanta, GA
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I'd be ok with the violins not playing their high notes either, not a fan of super-high notes in general. Then there's piccolos... ever sit with your ear next to the business end of a piccolo? It's actually painful.
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#21 |
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SS.org Regular
Join Date: Nov 2010
Location: In the pocket
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The cut away looks like it would snap off if you picked it up by it
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#22 |
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SS.org Regular
Join Date: Dec 2009
Location: Toronto, ON
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Listen to Dragonforce. Guitars, 24th frets, sliding up, Mickey Mouse... it's fun for some but usually it's just cheese.
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#23 |
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Rogue intellectual
Join Date: Apr 2011
Location: Ann Arbor, MI
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I'm in favor of not playing a bunch of ultra-high notes as well. Personally, I rarely play above the 15th-17th fret. Sonny Sharrock used to say of soloing on the wound strings: "That's a tenor saxophone down there, man!" I'm inclined to agree. Give me a tenor over a soprano sax any day.
"There's only one real freedom in music: freedom from the tyranny of trying to sound good." -Kenny Werner "Whatever technique you have on your instrument at any given time is always good enough to say something. If you can't find the thing to say, that's what you've got to work on." -David Torn "Don't be afraid to let go of the things you know. Defy your weaker, safer self. Create. Make music." -Sonny Sharrock "Do your thing. Follow your heart." -David Fiuczynski |
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#24 |
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SS.org Regular
Join Date: Nov 2008
Location: Ft. Lauderdale, Florida
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I played one of those at NAMM a couple years ago, the last few frets were so tight spaced, I couldn't really even get my fingers on em' properly. It felt kind of like a toy, really.
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#25 |
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Lefty cursed...
Join Date: May 2010
Location: Bay Area, CA
Posts: 408
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just have to add...
![]() looks way better... |
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