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#1 |
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ss.org Irregular
Join Date: Mar 2006
Location: Florida
Posts: 9
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Seventh string cancelled.
The most important string on my Ibanez sounds dead, there's a complete lack of tone in it. Its a 54 gauge string (1.37 mm) and it came in a light gauge pack of Dean Markley's. The string sustains alright, and its not my pickups, it does it unamped.
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Metallica. |
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#2 |
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{##[====:::.
• Super Moderator •
Join Date: Jul 2004
Location: Nebula, Ohio
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![]() could you be more descriptive? is there any damage to the guitar or anything? |
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#3 |
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Spastic Kitchen!
![]() Join Date: Dec 2005
Location: Indianapolis, IN
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Maybe it's a bad string. Lack of tone as in lack of brilliance (upper partials)? I've had bad strings before, right out of the package.
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#4 |
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Hates the Air
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Join Date: Jun 2004
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dude, i'd say cause its a 54. 54 makes a great E string, but not so much a b string. try getting a 60 on there, at least.
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#5 |
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vile
Join Date: Mar 2006
Location: Seventh circle of hell
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I agree with Metal Ken. Your strings are probably too light. Beefier strings - beefier tone.
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#6 |
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{##[====:::.
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i have a 54 for a B as well, and it sounds great. it might just be a bad string.
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#7 |
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Ibanez 7s
![]() Join Date: Apr 2005
Location: Southern Maine
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I use 54 too, and to me, it sounds great and I never have problems with it.
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#8 |
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seven times seven
Join Date: Apr 2005
Location: Texas City Texas
Posts: 500
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How close are your pickups to the strings? Some passive Pu's pull pretty hard especially on the larger strings. A 54 low B has low tension for that note. Some people overcome this with larger gauges that are so tight the magnetism doesnt impede their vibrating and effect their tone. Personally I use EMG's that dont have as much magnetic pull and let the lighter gauge strings resonate more freely without being deadened by strong magnetic field, or you could just have a dead string.
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Try to exclude the possibility of suffering which the order of nature and the existence of free-wills involve, and you find that you have excluded life itself. |
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#9 |
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Fear the Polo!
![]() Join Date: Aug 2004
Location: Somerville, MA
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Howold's the string? The heavier strings are always the first to sound dead, in my experience.
That said, a .56 is the lightest I'll use for a B, and I think .58's about ideal. Go heavier, young man.
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"...and everything under the sun is in tune, but the sun is eclipsed by the moon." http://www.metalguitarist.org |
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#10 |
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Songs about My Cats
Join Date: Dec 2005
Location: Bizurke
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Lol you guys bombarded him with so many replies.
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#11 |
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Senior Member
![]() Join Date: Aug 2005
Location: Boston
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Why on earth are you guys talking about his string gauge. He hasn't even said what his guitar is. His pickups could sound like ass, in which case any string gauge he uses will sound like shit. Low B-strings usually don't sound that good unplugged, no matter what the gauge. Honestly going from a .54 to a .60 isn't going to solve this guys problem at all. Dean Markley strings usually sound dull. Try using a brighter string like a DR Hi-Beam or D'Addario if you want it to sound better unplugged.
"54 makes a great E-string, not a B". What the hell? Has anyone ever played a stock Universe? .054 are made to be B strings, not E. Of course you can use any gauges you want, but it's silly to say things like that as if its a fact. |
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#12 |
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Hates the Air
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Yeah, not like i ordered one from the place i worked at and opened the box myself, Then promptly changed that fucker to a real B string.. i mean, Hell, i didnt own 3 UV's or anything. I must not know what i'm talking about.
Your general set of 10 lite top heavy bottom comes with a 52 on the bottom anyway.
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Since the Bible and the church are obviously mistaken in telling us
where we came from, how can we trust them to tell us where we are going? Didn't you say... Jesus was coming? |
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#13 |
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seven times seven
Join Date: Apr 2005
Location: Texas City Texas
Posts: 500
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Yeah dude, I use 9's and I at least need a 58. Anything lower feels undertensioned. Rusty cooley inspired me to try the 58 for the B and he's a lightgauge lover. 58 just feels the most natural 54 is just way too loose and is suceptible to deadening when using passives.
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Try to exclude the possibility of suffering which the order of nature and the existence of free-wills involve, and you find that you have excluded life itself. |
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#14 |
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Spastic Kitchen!
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I know it's personal taste and all, but I honestly don't know why they use such light low b's in packaged sets.
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#15 | |
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Fear the Polo!
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Quote:
Again, it's not fact, but it's an opinion based on years of experimentation with different gauges, and I think given the situation here it's definitely something he should consider, and IMO a lot less silly than suggesting a brand switch as the Dean Markleys seem to be doing just fine on his higher strings, for the tone he's looking for...
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"...and everything under the sun is in tune, but the sun is eclipsed by the moon." http://www.metalguitarist.org |
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#16 |
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Hates the Air
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Exactly. I dont even remember if it was a 52 or a 54 on my universe when i got it. I remember it was laughably light and sounded like a floppy wet fart.
A 52 or a 54 in B will have about 8-10 pounds of tension. You'd want somewhere around at least 14-16, and mine is at 21 lbs of tension, and that gives it the pop and clarity of the other strings.. 54 feels floppy on a 26.5" Scale guitar (Guitar came with it) 54 feels floppy on a 27" Scale guitar, too (Again, guitar came with it). Not to mention to agree with drew, have fun intonating a B string with a .052 on it .
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Since the Bible and the church are obviously mistaken in telling us
where we came from, how can we trust them to tell us where we are going? Didn't you say... Jesus was coming? |
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#17 |
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Fear the Polo!
![]() Join Date: Aug 2004
Location: Somerville, MA
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Thanked: 145
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Dude, even a .54 I can make jump about a half step on the initial attack if I dig in hard enough - that's just absurd.
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"...and everything under the sun is in tune, but the sun is eclipsed by the moon." http://www.metalguitarist.org |
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#18 |
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Hates the Air
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Exactly. I dont think a lot of those companies think when they put an extra string in their sets like that.. They obviously arent 7 string players or they'd think about that.
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Since the Bible and the church are obviously mistaken in telling us
where we came from, how can we trust them to tell us where we are going? Didn't you say... Jesus was coming? |
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#19 |
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I'm your huckleberry
![]() Join Date: Aug 2005
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I think GHS comes about the closest. Their .010 set comes with a .060.
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#20 |
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Djentleman
Join Date: Jan 2006
Location: Mynydd y Garreg, Carmarthenshire, South Wales.
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Well guys i've been using standard .10 to .56 D'Addario's tuned to drop A for years & i've never really come across any problems.
I've tried Ernie balls, Dean Markly & all sorts of brands I even used to use a custom made set of .10 to .65's & still prefere the .10 to .56's it's all a case of whats best suited for your needs & for the record my 1527 came with .54's & felt ok but a slight bit lite for my taste. |
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#21 |
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Hates the Air
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I used 56 for a while, then i realized the problems that came along with using such a light guage, such as intonation, the issues drew was talking about, and among other things, i didnt think the lowest string on my guitar should be the one with the least tension. But if it works for you, more \m/ to you.
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Since the Bible and the church are obviously mistaken in telling us
where we came from, how can we trust them to tell us where we are going? Didn't you say... Jesus was coming? |
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#22 |
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The Church of SEVEN
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I use a .56, but I had to modify my playing so I don't over-attack the B. It's all about accuracy...
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#23 |
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Djentleman
Join Date: Jan 2006
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^
Yeah i'd have to agree with that i'm not that heavy handed although i do put my Guitars through their paces i just feel comfortable using .56 i guess. |
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