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Old 03-04-2006, 08:07 PM   #1
bat69420
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Seventh string cancelled.

The most important string on my Ibanez sounds dead, there's a complete lack of tone in it. Its a 54 gauge string (1.37 mm) and it came in a light gauge pack of Dean Markley's. The string sustains alright, and its not my pickups, it does it unamped.
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Old 03-04-2006, 08:12 PM   #2
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could you be more descriptive? is there any damage to the guitar or anything?
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Old 03-04-2006, 08:20 PM   #3
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Maybe it's a bad string. Lack of tone as in lack of brilliance (upper partials)? I've had bad strings before, right out of the package.
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Old 03-04-2006, 08:21 PM   #4
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dude, i'd say cause its a 54. 54 makes a great E string, but not so much a b string. try getting a 60 on there, at least.
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Old 03-04-2006, 09:27 PM   #5
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I agree with Metal Ken. Your strings are probably too light. Beefier strings - beefier tone.
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Old 03-04-2006, 10:05 PM   #6
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i have a 54 for a B as well, and it sounds great. it might just be a bad string.
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Old 03-04-2006, 10:22 PM   #7
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I use 54 too, and to me, it sounds great and I never have problems with it.
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Old 03-04-2006, 11:02 PM   #8
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How close are your pickups to the strings? Some passive Pu's pull pretty hard especially on the larger strings. A 54 low B has low tension for that note. Some people overcome this with larger gauges that are so tight the magnetism doesnt impede their vibrating and effect their tone. Personally I use EMG's that dont have as much magnetic pull and let the lighter gauge strings resonate more freely without being deadened by strong magnetic field, or you could just have a dead string.
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Old 03-05-2006, 12:37 AM   #9
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Howold's the string? The heavier strings are always the first to sound dead, in my experience.

That said, a .56 is the lightest I'll use for a B, and I think .58's about ideal. Go heavier, young man.
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Old 03-05-2006, 12:18 PM   #10
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Lol you guys bombarded him with so many replies.
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Old 03-05-2006, 07:47 PM   #11
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Why on earth are you guys talking about his string gauge. He hasn't even said what his guitar is. His pickups could sound like ass, in which case any string gauge he uses will sound like shit. Low B-strings usually don't sound that good unplugged, no matter what the gauge. Honestly going from a .54 to a .60 isn't going to solve this guys problem at all. Dean Markley strings usually sound dull. Try using a brighter string like a DR Hi-Beam or D'Addario if you want it to sound better unplugged.

"54 makes a great E-string, not a B". What the hell? Has anyone ever played a stock Universe? .054 are made to be B strings, not E. Of course you can use any gauges you want, but it's silly to say things like that as if its a fact.
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Old 03-05-2006, 10:09 PM   #12
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Yeah, not like i ordered one from the place i worked at and opened the box myself, Then promptly changed that fucker to a real B string.. i mean, Hell, i didnt own 3 UV's or anything. I must not know what i'm talking about.
Your general set of 10 lite top heavy bottom comes with a 52 on the bottom anyway.
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Old 03-05-2006, 10:21 PM   #13
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Yeah dude, I use 9's and I at least need a 58. Anything lower feels undertensioned. Rusty cooley inspired me to try the 58 for the B and he's a lightgauge lover. 58 just feels the most natural 54 is just way too loose and is suceptible to deadening when using passives.
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Old 03-05-2006, 10:25 PM   #14
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I know it's personal taste and all, but I honestly don't know why they use such light low b's in packaged sets.
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Old 03-06-2006, 12:13 PM   #15
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Quote:
Originally Posted by zimbloth
"54 makes a great E-string, not a B". What the hell? Has anyone ever played a stock Universe? .054 are made to be B strings, not E. Of course you can use any gauges you want, but it's silly to say things like that as if its a fact.
Actually, I thought they shipped with D'Addario 9's, which come with a laughably light .52. I mean, you're right, you can use whatever you want for your low B... But in my experience, anything below a .56 in B tuning is going to "feel" noticeably lighter than a .42 in E, and if you have even a moderately heavy pick attack and don't use thin picks, you really want to go with something heavier than that solely for intonation.

Again, it's not fact, but it's an opinion based on years of experimentation with different gauges, and I think given the situation here it's definitely something he should consider, and IMO a lot less silly than suggesting a brand switch as the Dean Markleys seem to be doing just fine on his higher strings, for the tone he's looking for...
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Old 03-06-2006, 03:00 PM   #16
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Exactly. I dont even remember if it was a 52 or a 54 on my universe when i got it. I remember it was laughably light and sounded like a floppy wet fart.
A 52 or a 54 in B will have about 8-10 pounds of tension. You'd want somewhere around at least 14-16, and mine is at 21 lbs of tension, and that gives it the pop and clarity of the other strings..
54 feels floppy on a 26.5" Scale guitar (Guitar came with it)
54 feels floppy on a 27" Scale guitar, too (Again, guitar came with it).

Not to mention to agree with drew, have fun intonating a B string with a .052 on it .
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Old 03-06-2006, 03:34 PM   #17
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Dude, even a .54 I can make jump about a half step on the initial attack if I dig in hard enough - that's just absurd.
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Old 03-06-2006, 03:40 PM   #18
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Exactly. I dont think a lot of those companies think when they put an extra string in their sets like that.. They obviously arent 7 string players or they'd think about that.
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Old 03-06-2006, 03:41 PM   #19
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I think GHS comes about the closest. Their .010 set comes with a .060.
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Old 03-06-2006, 03:53 PM   #20
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Well guys i've been using standard .10 to .56 D'Addario's tuned to drop A for years & i've never really come across any problems.
I've tried Ernie balls, Dean Markly & all sorts of brands I even used to use a custom made set of .10 to .65's & still prefere the .10 to .56's it's all a case of whats best suited for your needs & for the record my 1527 came with .54's & felt ok but a slight bit lite for my taste.
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Old 03-06-2006, 04:16 PM   #21
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I used 56 for a while, then i realized the problems that came along with using such a light guage, such as intonation, the issues drew was talking about, and among other things, i didnt think the lowest string on my guitar should be the one with the least tension. But if it works for you, more \m/ to you.
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Old 03-06-2006, 07:15 PM   #22
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I use a .56, but I had to modify my playing so I don't over-attack the B. It's all about accuracy...
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Old 03-07-2006, 01:44 AM   #23
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Yeah i'd have to agree with that i'm not that heavy handed although i do put my Guitars through their paces i just feel comfortable using .56 i guess.
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