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Old 01-07-2008, 06:21 AM   #11 (permalink)
Sumerian 7string Sorcery
 
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distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.
I'd consider fretless instruments to be 'extended range' anyway, due to all the micro-tones that can't be easily accessed on a normal guitar.

'If one octave isn't interesting then who the hell cares about the others?!' Diamanda Galas

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Old 01-07-2008, 08:45 AM   #12 (permalink)
ROTER CUSTOM GUITARS
 
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Apophis is pretty much the man.Apophis is pretty much the man.Apophis is pretty much the man.Apophis is pretty much the man.Apophis is pretty much the man.Apophis is pretty much the man.Apophis is pretty much the man.Apophis is pretty much the man.Apophis is pretty much the man.Apophis is pretty much the man.
so be it

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Old 01-07-2008, 01:29 PM   #13 (permalink)
Junk and harlot man.
 
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Quote:
Originally Posted by distressed_romeo View Post
I'd consider fretless instruments to be 'extended range' anyway, due to all the micro-tones that can't be easily accessed on a normal guitar.
Hahahaha, that's a great way of seeing things, I have to agree with you.

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Old 05-31-2008, 05:15 PM   #14 (permalink)
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Suho is a jewel in the rough
Glissentar is awesome

Sorry to bump an old thread, but...
I have been away from this forum for awhile (crazy busy new job), but I picked up a Glissentar for a pretty good price and have had the fortune to jam with a great tabla player. [The Glissentar is supposed to try and emulate the Oud.]

I have putzed around with different tunings, and will likely try others, but because the tabla he was using initially was tuned to "D" I settled on
D-A-D-F#-A-D. Initially I also played a bit with D-A-D-F#-B-D, but didn't like the setup.

I play it clean through a tiny amp. I have a Roland Micro cube, and have played it also through an older Roland 10W amp and the Vox equivalent to the Micro Cube. Not to mention running it through a preamp directly and into the tabla player's computer/speaker system.

I am still learning, and am reading all kinds of books on Arabic and Indian music, but the potential is pretty great. I will post some samples of what we have done if I can figure out how, but everything is just straight up improv.

I am waiting to hear the recordings from the last session where there was another fretless guitarist playing along (we never met before that day). There were some uncertain moments, and some great ones too.

Anyone else here play one?
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