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| - Welcome to everyone from ERG.com. Eight, Nine, Baritone and beyond discussion here. |
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#1 |
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These Eyes Are Blind
Join Date: Aug 2007
Location: Winston Salem, NC
Posts: 450
Thanked: 7
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Wood???
I wanted to know what everyone thought of this wood combination...
Body: Swamp Ash Top Wood: Black Walnut Neck: Maple/Wenge/Mahogany/Wenge/Maple Fretboard: Ebony Neck Joint: Set thru And I'll be using a Lundgren nine string pickup... I'm going for tight lows and sharp highs with a balanced mid. |
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#2 |
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Resident Wanker
Join Date: Apr 2006
Location: Aarhus, Denmark
Posts: 846
Thanked: 3
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Well, my preference has always been a plain alder body for ballance and an all maple neck to add to the overall attack and definition...
However, your combo sounds very interesting as well! Keep in mind that the body sides in a neck-through construction add less to the overall tone of an instrument than had it been bolt on or set neck. Moreover, you fail to mention scale length - a rather important factor in the equation (especially on a 9-string). Cheers Eske
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#3 |
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Manager / RHLC ©
Join Date: Sep 2006
Location: Argentina
Posts: 5,617
Thanked: 52
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The selection it's very nice, in combination. But i think that a mahogany body with a 1/2" maple top would be nicer.
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#4 |
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These Eyes Are Blind
Join Date: Aug 2007
Location: Winston Salem, NC
Posts: 450
Thanked: 7
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^^^Set-thru. (neck will end before bridge pickup...)
It will be a multi scale: 24.5-28 And the reason I'm staying away from Mahogany is because I have an Ibanez MM baritone, which is all mahogany. And it's a bit muddy in my opinion. And the weight is an issue with it as well. Mahogany and Maple for the body would be a pain. Ash is light so that will help allot. And the neck wood is pretty heavy with the thickness it will have. |
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#5 | |
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CORE FREE SINCE 1977
Join Date: Jan 2007
Location: Portland, Oregon
Posts: 3,864
Thanked: 50
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Quote:
I always thought the tightness & growl of swamp ash, with sharpness added by a maple top (1/4" minimum thickness) to be the ideal combination. Alder and basswood would be my second choice so far as body woods go. As for fingerboards, to my ears maple and ebony sound equally sharp, while rosewood is a little warmer, but also duller.
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#6 |
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Giant Fridge Magnet
![]() Join Date: Dec 2006
Location: Paris, France.
Posts: 2,845
Thanked: 17
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I personnaly think basswood is too dead sounding for an 8 string, or at least you need to have some powerfull pickups to make it works (like the RG2228). It's more of the pickups talking than the guitar wich is not optimal IMO.
I'd go for ash with 1/4" walnut top myself, walnut is a bit darker than maple and is much more soulfull (I'd go with oil/wax finish too, it doesn't constraint the wood as much as clear coating). another build I like is maple neck trough with walnut wings, I guess it must sounds very bright but organic
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#7 |
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Spastic Kitchen!
![]() Join Date: Dec 2005
Location: Indianapolis, IN
Posts: 6,096
Thanked: 8
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Swamp ash is beautiful wood. Sort of a shame to cover it, but I love the look of walnut. Walnut tops sound pretty balanced, too. Pretty bright, but more of an upper-mid bright and not a scree-type bright.
Not sure about the neck, if you walnut the top, maybe walnut instead of wenge would look nicer, but hey, it still sounds like it would look pretty cool.
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#8 |
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Giant Fridge Magnet
![]() Join Date: Dec 2006
Location: Paris, France.
Posts: 2,845
Thanked: 17
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I'm thinking of an all walnut neck trough 8 string with a pau fero fretboard. I'm pretty sure it'll sound really good and would look totaly killer with figured walnut wings!
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Bloody Murder #5 Current rig : Agile Intrepid Pro with ONI Custom pickup -> ISP Decimator -> Hardwire CM-2 -> Rocktron Piranha -> TC Electronics G-Major -> Marshall 8008 -> Framus 212CS with Celestion G12 Century's |
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#9 | |
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Spastic Kitchen!
![]() Join Date: Dec 2005
Location: Indianapolis, IN
Posts: 6,096
Thanked: 8
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Quote:
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#10 |
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Is a Pastafarian
![]() Join Date: Jul 2006
Location: Calgary AB
Posts: 4,867
Thanked: 248
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Personally I would just go with a maple neck (maybe laminated 5 pieces with wenge or something) set into a swamp ash body. I don't understand the point of increasing your cost so much to get a bunch of different (totally opposing) tonewoods together in one guitar. It would be much easier to anticipate how it is going to sound if you didn't toss a bunch of extra shit in there just for kicks. My 2 cents.
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#11 |
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Hard-On For Freedom™
![]() Join Date: Mar 2007
Location: San Antonio, TX, USA
Posts: 4,035
Thanked: 26
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For the body I'd try something like walnut and koa, myself, because I love that stuff on the Carvin guitars and basses I've gotten to play recently.
Jeff |
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