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Old 12-08-2006, 01:52 PM   #1 (permalink)
Sumerian 7string Sorcery
 
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Join Date: May 2005
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Main Seven: C7 Hellraiser/LTD M207
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distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.distressed_romeo can play Erotomania with his toes.
Percussive techniques on acoustic guitar

Who's into this?

Since I discovered Preston Reed's music I've gotten really heavily into using the acoustic guitar as a percussion instrument as opposed to just the folk/classical fingerpicking and DiMeola-style flatpicking I used to use it for.

It's amazing how addictive this stuff is, and it's not actually that hard to get into. It works really well with open or modal tunings, as you can get some really nice slap-harmonic chords.

Here's a vid of the kind of stuff I'm talking about.

http://www.youtube.com/watch?v=QPoeOBEs4uQ

'If one octave isn't interesting then who the hell cares about the others?!' Diamanda Galas

http://farsideguitars.blogspot.com/
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Old 12-08-2006, 09:44 PM   #2 (permalink)
prototyping...
 
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Join Date: Dec 2005
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Durero is pretty much the man.Durero is pretty much the man.Durero is pretty much the man.Durero is pretty much the man.Durero is pretty much the man.Durero is pretty much the man.Durero is pretty much the man.Durero is pretty much the man.Durero is pretty much the man.
I love the sounds and the style.
Sometimes when I see players doing this 'heavy wood' style, I find myself wishing for a little more drama in the compositions, but I certainly admire the playing and the beautiful timbres (tones).

The only percussive techniques I do are flamenco techniques - golpe & rasgueado, a few prepared-guitar sounds (gongs), and drumsticks on the strings.

oh, and tapping - normal notes, harmonics, and what I call 'neck-side notes' where you damp the strings between the fret you're tapping and the bridge, so that the note you hear is from the fret on the 'head or nut' side of your fingertip to the nut. You get lots of interesting microtones this way.
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