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#1426 |
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I am a COCK!!!!!!!!!
![]() Join Date: Mar 2007
Location: Ukraine, Kyiv
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Seb, all those bodies are for 7 string ?
Sorry for my english
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__________________
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#1427 |
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ss.org Regular
Join Date: Sep 2009
Location: Cyprus (the summer island)
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is the body thickness 45mm or less?
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#1428 |
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Fully Ramblomatic
Join Date: Apr 2007
Location: Stavanger, Norway
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out of curiosity, why would you want to know the thickness? like, is there something you need it for, or are you just comparing with other guitars?
-------------------------------------- What will metal be doing in ten years? What ever Meshuggah will be doing in two. -Anthony |
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#1429 |
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Power Metal Cellist
Join Date: Dec 2007
Location: Manhattan, NY
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Sarcasm doesn't transfer well onto the internet
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#1430 |
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ss.org Regular
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it matters on sound - weight - flexibility -> just to know guys -_- cause it looks really thin
whatever.... |
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#1431 |
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Power Metal Cellist
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Location: Manhattan, NY
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#1432 | |
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ss.org Regular
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Quote:
sorry about the mess guys |
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#1433 |
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Fully Ramblomatic
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from what i've experienced, thinner bodies = better sound. sounds strange, considering what you're told about bigger and thicker bodies being better, but that's just not the case.
edit: short explanation: thinner bodies vibrate better, and so it gets much much more resonant and acoustically loud, which means more perceived sustain, and much better sound even through the pickups. i'm sure you already know what the importance of resonant guitars are, but the point is that thinner bodies = more resonance, because they are lighter and stuff. also, the added lightness means they are... well, lighter! -------------------------------------- What will metal be doing in ten years? What ever Meshuggah will be doing in two. -Anthony |
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#1434 |
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ss.org Regular
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hmmm
now i understand....thanks for the informations guys!
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#1435 |
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Power Metal Cellist
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However, some argue that lighter bodies, because they are more resonant, rob the string of it's vibrational energy faster, decreasing sustain and high end content.
I prefer lightweight and resonant myself over heavy in terms of feel, but this argument drove a lot of guitar design in the 70s. |
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#1436 | |
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Fully Ramblomatic
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Quote:
also, the idea of sustain is kinda misleading. while you could say a string vibrates for longer if the guitar is such and such, it depends on what the string sounds like while it's sustaining. perceived sustain and actual technical sustain won't do the same job. the more musical and useful one is obviously perceived sustain. so it won't rob the string of sustain or high end. it might not sustain as long as if you had a humongous chunk of wood with a neck attached to it, but then it wouldn't sound good, and you wouldn't have the most useful sustain in the world. i think most people will agree that a lightweight and resonant guitar will own ass no matter what, as it sounds louder through the pickups as well, and has much more character and tonal content, making it sing. i'm not trying to put you down, i'm just so excited about this ![]() but yeah, just check out ......... and blackmachine: really really light guitars, extremely resonant, extremely loud, both with enormous sustain, even unplugged, as ......... has demonstrated in his videos, just playing an open note and letting it sustain for AGES, with a very constant sustain that keeps going in the same volume for a long time before it starts decreasing. people keep talking about sustain and stuff as if they are rules set in stone. it ain't. people usually attribute these things to totally opposite things. different woods, different constructions, different measurements, etc, and then you notice these attributes can often be opposites, even though the result is "more sustain" either way. so let's all chillax, knowing Doug from blackmachine and ......... both know what they're doing, and the guys at Roter are known for their awesome stuff, and so we're almost guaranteed that the quality will be great. people don't make thin bodies just for weight or just for tonal characteristics, and especially not just for looks. they think about sustain, and they think about tone. /happy rant -------------------------------------- What will metal be doing in ten years? What ever Meshuggah will be doing in two. -Anthony |
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#1437 |
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Power Metal Cellist
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Like I said, I don't necessarily buy the argument, but it's out there. Also, with regards to Fenders vs. Gibsons; a number of factors (body wood, scale length, bridge type, neck attachment method, humbuckers vs. single-coils) account for the difference in sound.
Generally though, I have played a bunch of SGs and then played a bunch of Les Pauls and found the SGs to be brighter and raunchier with less sustain than the smoother, darker Les Paul. Regardless, this is not the thread for this discussion
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#1438 |
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Fully Ramblomatic
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true on all points, sir
![]() i've noticed the same things, i just used the fender/gibson argument as a placeholder thing ![]() but yeah, look at the thinner SG compared to the fat LP. brighter and stuff. i don't agree that much with the sustain issue though, as i've had the same result the other way around, with LP's having less and SG's having more. it's more about the quality of the construction than anything. and in that area we're safe
-------------------------------------- What will metal be doing in ten years? What ever Meshuggah will be doing in two. -Anthony |
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#1439 |
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ss.org Regular
Join Date: Mar 2010
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That 21º fret... scare me
![]() ![]() Look at the width of the 21º at first string and compare it with the width of the 20º and 19º. It's me or the 21º seems to be bigger ![]() I think that fretwork is not as good as should be... Anyway, really NICE guitar. That body is just amazing, sir
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#1440 | |
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Power Metal Cellist
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Quote:
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#1441 | |
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Sir Paul of the Mosh
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Quote:
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#1442 |
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Power Metal Cellist
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People do that anyways. However, misaligned frets are unacceptable, regardless of the amount of money paid. That definitely looks wrong.
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#1443 | |
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Sir Paul of the Mosh
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Quote:
But I know for a fact some people that have these on order are getting a little annoyed at the lack of information regarding their guitars. |
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#1444 |
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SS.org Regular
Join Date: Nov 2007
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Can anybody say optical illusion? You've got fan frets going in different directions and pictures taken from an angle on top of that. That's just asking for visual tricks being played on you.
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#1445 | |
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Sir Paul of the Mosh
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Quote:
But I do agree that we should wait and see until someone has the final guitar in their hands before anybody goes shooting off their mouth about wonky frets and whatnot |
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#1446 | |
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SS.org Regular
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Quote:
I see where there is some question, but I really think it could easily be an optical issue. Probably the ideal way to diagnose an issue like that is having a Peterson tuner (or tuner in general) to judge the intonation instead of using a photo of any sort. I imagine that isn't really an option right now though. |
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#1447 |
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Power Metal Cellist
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There is a birds-eye view here. Look at the upper frets and tell me there's not a spacing issue. And as I now own a fanned instrument, you'd be able to tell an issue of that size visually from pretty much any angle other than straight on the side.
I'm willing to give Sebastian the benefit of the doubt, but if a guitar ships like that that is unacceptable. |
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#1448 |
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Sir Paul of the Mosh
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Let's just stop any sort of speculation until someone actually has a guitar in their hands, it's only fair.
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#1449 | |
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Power Metal Cellist
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Quote:
I'm hoping that it's a mistake and that it won't make it through final QC, but if I were a luthier I wouldn't even want that stuff to show up in pictures of my work. |
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#1450 |
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Sir Paul of the Mosh
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It could still be an optical trick due to the position, the frets not being finished, the image compression or whatever. And due to that alone, I think all speculation is just wrong and unfair
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