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#26 |
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ss.org Regular
Join Date: Jan 2011
Location: Holland
Posts: 150
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I was not referring to Willis as an objective pary. I just quoted him to show that even the best fretless players use lined fretless basses. A lot of people seem to think lined basses are less worthy or less proffesional or something and that's something I tried to keer out here.
And saying that lines are against the idea of fretless bass really is wrong IMO. Either with or without them, the player has to make the intonation. And especially above the 12th fret they really help (to be honest, most unlined players are really false up there). The way of intonating on the lines is different high up the neck too. I'm quite sure that I would play false as hell above the octave on an unlined bass, but with my lined bass I'm doing quite well. |
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#27 | |||
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themuthaphukkindeath
Join Date: Feb 2009
Location: _
Posts: 4,012
Thanked: 47
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Quote:
![]() Quote:
![]() As for the second bolded bit Quote:
One other thought, the lines most certainly ARE against the idea of the fretless if one plans to use them for something like twelve tone composition. At least in that knowing the layout off a standard fretboard won't be of too much help, imo for whatever that's worth. The side dots are better indicators of the basic note layout on the board for my taste. Plus I just think that unlined looks nicer.tl;dr I'm not trying to be as combative as this reads to me. Just don't hateon unlined.
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#28 | |
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ss.org Regular
Join Date: Jan 2011
Location: Holland
Posts: 150
Thanked: 4 / 1
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Quote:
![]() And I'm not bashing unlined at all, I'm sorry if it looked that way. I'm just saying that the lines are not pointless, even for 'good' fretless players. I'd like to own an unlined fretess someday, but for main playing I prefer a lined one. Not only for intonation as I said, but it really helps a lot keeping a good overall view on the neck in my experience. ![]() Both lined and unlined have their advantages and charms. |
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#29 |
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Power Metal Cellist
Join Date: Dec 2007
Location: Manhattan, NY
Posts: 4,093
Thanked: 27
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I play cello, have for nearly 16 years now. I'm used to unlined fretless boards. I still like having lines on a fretless bass as I rock out hard, and can't always guarantee being able to hear myself.
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#30 |
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:O
Join Date: Jan 2009
Location: Dublin
Posts: 591
Thanked: 7
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A fretless is great especially as a learning tool, you can only get better by using one
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#31 |
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ss.org Regular
Join Date: Jul 2010
Location: PA
Posts: 76
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1. I don't know that much about bass but I have played fretless before and it sounded great and was pretty easy to get around on.
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#32 |
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Frets? What frets?
Join Date: May 2009
Location: London
Posts: 1,505
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That Augury track sounds like a fretted in places. Maybe it's some fretted-unfretted double-necked monstrosity like Steve DiGiorgio plays?
I have two lined fretlesses, but that's because they began their lives as fretted basses. Having the lines there is something of a psychological crutch for me, since I can look down and check I'm in the right position. Don't necessarily need them - I play double bass and violin just fine without any lines on the fingerboard - I just think I'm used to them being there, used to being able to double-check my finger position if we've got a shitty monitor mix. The next bass I buy will likely be a 6-string unlined fretless, so that'll be a barrel of laughs to see if I really don't need the lines... Anyway, more fretless bass stuff. ![]() Carpathia : progressive extreme metal from London. Free track! Click here! SchecterWhore: "Development, phase four. Beethoven takes you for a ride through space in his Pontiac Trans Am." |
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#33 | |
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Bonitis.
Join Date: Dec 2009
Location: Somewhere in New York
Posts: 2,425
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Quote:
Extreme Syncopation =/= Poly-rhythmic |
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#34 |
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ss.org Regular
Join Date: Jan 2011
Location: Holland
Posts: 150
Thanked: 4 / 1
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