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Jesus God, did you not read any of my other posts at all?
Opening gates - allows a track to be active only a given time after a drum has only been hit - say you have tom mics going bonkers because they're surrounded by the snare and cymbals, and you want to only have them active when the toms are in use... triggers can open gates.
Adjusting plugin/effect parameters and ducking or raising any volumes temporarily - same situation - perhaps you don't want to kill the toms, but ducking them when the snare is hit is necessary...
Activating other media onstage... if you want a sequence of lights to go off at a certain time, and you know exactly how many snare hits (or whatever) there should be, you can have them set off automatically after a given number of trigger 'clicks' and not have to worry about playing anything differently. Or perhaps you want to change sounds when the trigger registers soft hits, to integrate a wide range of sounds more easily... set a threshold and when the intensity drops there's a reliable way of having a different sound with a different style.
Go back and read what I said earlier... it doesn't seem that you have yet. I posted for a reason. Asking a question and not following through with a discussion, only to come back later and show off ignorance of what happened in your own bloody thread, is very annoying.
Jeff
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