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Old 12-09-2007, 06:00 AM   #10
Stitch
 
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Join Date: Aug 2005
Location: Edinburgh, Scotland
Posts: 6,899

Real Name: Simon
Main Seven: Ibanez RG7420 & S7420FMTW
Main ERG: Orion OG8
Rig: Peavey 6505

Thanked: 110

Stitch deems you false, flexes, and cancels you.Stitch deems you false, flexes, and cancels you.Stitch deems you false, flexes, and cancels you.Stitch deems you false, flexes, and cancels you.Stitch deems you false, flexes, and cancels you.Stitch deems you false, flexes, and cancels you.Stitch deems you false, flexes, and cancels you.Stitch deems you false, flexes, and cancels you.Stitch deems you false, flexes, and cancels you.Stitch deems you false, flexes, and cancels you.Stitch deems you false, flexes, and cancels you.Stitch deems you false, flexes, and cancels you.Stitch deems you false, flexes, and cancels you.Stitch deems you false, flexes, and cancels you.
I tend to write and play this stuff a lot, and its damn good fun. Its hard to explain, but eventually you just get a feel for it. I write and play in 7/8 or 9/8 so often now I hardly notice I'm doing it.

For the more complex stuff (one of our songs has a section in 29/16 against 4/4) I remember the rhythms on its own and where its repetitions lie against the 4/4 beat - i.e the displacements.

In other cases I just remember the rhythmic pattern and keep playing that (Like in New Millenium Cyanide Christ or I)

Some of the crazier, less structured stuff I have problems with (like From A Second Story Window) - but I think thats more to do with the fact that they don't really write in signatures, they just deliberatly right oddly.
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