| I just realized I still haven't posted a Blaze Bridge review...
Well, before I say anything, let me just say that I use a lot of midrange and play a Mesa Nomad, a VERY mid-heavy amp (it can do Recto, but it's more at home in Mark-esq territory). I'm SURE this is a factor in my perception of pickups - as a strat guy from way back in the day, I like bright guitars into dark amps.
This is, to date, my favorite seven string bridge pickup I've played. It's clear, it's deep, and it's tight. It sounds exactly like I expect the bridge position of a seven string guitar to sound like in a basswood guitar. There's probably a good reason for this - 70% of recorded 7-string work was probably done with a stock UV - but it's just a very GOOD tone, equally at home for heavy rhythm and Lynch-y screams.
The mid scoop is something that always comes up a lot, and while to me I don't hear a heavily pronounced midrange (like the Tone Zone, for instance), it feels pretty balanced. Like I said, I run a setup with a lot of mids, but going between my old 7620 and this, I didn't feel like there was an absense of midrange when I switched guitars - it was just more even.
It's less organic than a TZ, so if you're looking for a good blues/rock pickup or something for old school rock (Van Halen, for instance), I'd look elsewhere. The clean's pretty bright, but useable, it splits well for a strat-y in between sound, this is the pickup that prettymuch invented high gain low B chunk, and it's still VERY similar to what Petrucci's using, so copping that soaring G3 tone of his with a moderately distorted Mesa is a cinch. In fact, that's where this one really comes into it's own, I feel - as a lead pickup, saturated but still clear, in a smooth, liquid, compressed, and round amp setting. There may very well be something better out there, but it's a sound where I plug in and feel immediately at home.
-D "...and everything under the sun is in tune, but the sun is eclipsed by the moon." |