Quote:
Originally Posted by Variant
I sooooo don't like these guys, but every time that song... I don't know the name... "more wine..." is a lyric in there, comes on, I crank the fuck out of it. The production, keys/samples, and tones are fantastic.  |
Lakini's Juice, off, um... Secret Samadhi. Easily one of the best two or three tracks off that disc, and sort of what I had in mind when I thought of them - compared to "The Beauty of Grey," it's a pretty striking evolution, all the more so because it completely skips over the lush lower-gain tones, minute-long feedback and delay endings, and harder-hitting on/off dynamic songwriting of "Throwing Copper."
the way the vocal comes in for the second verse ("Inside the outside, by the river, used to be so calm, used to be so sane...") just flat-out rules.
Korbain, I'll buy a big stylistic change from "Bleach" to "Nevermind" (with "incesticide" in between as a lesser step) in Nirvana, going from very heavy, almost sabbath-y riffing too the post-punk dynamic shifts that came to define grunge, but unless you want to talk about unplugged, the changes from Nevermind to In Utero were more of a refinement than a drastic change. I love the band too, but I really don't think they fit here.