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I have actually always liked the ODB3 more than anything else. But the trick was always cranking the distortion, but having the blend super low. So it was 95% clean with a 5% distorted bite on top. Also, kill the highs on it. Your Lows are where you want the distortion. When I was playing all five strings this made my rig sound enormous. And depending on the room I would tweak the highs to get more or less bite in our mix. The Odb always gave me really thick saturation and brought my rig to the forefront.
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