Dude, your caps lock is broken.
As an update, I've found a set of AKG C1000s's in an X-Y array pointed about an inch over the 15th fret, bass side, sound absolutely phenominal. This is, until I find something I like more, my go-to acoustic micing strategy.
Any of you guys have a lot of experience EQ'ing acosutics in a mix? For now I've been feeding both tracks into the same bus and then applying a master EQ there, but I'm open to other suggestions.